Designed and executed by Jeremy Lampkin
Ideologies: GD/Thoth, Leary’s two extra keys, LaVey Personality Synthesizer, Nag Hammadi Codices, general world mythology, Kabbalah, astrology, Revelation
A Rant from Jeremy:
The bifrost Tarot was painted during January through December 2006. This project was the natural progression of long-term spiritual training. Upon completion of a certain major occult ritual, it is traditional to design (or at least copy) a tarot deck.
bifrost was strongly influenced by occult figures who followed in Aleister Crowley’s path, with a particular emphasis on the time period of the 1960s. The ’60s could be considered a high point of the apocalyptic age. Not to be seen as the proverbial ‘end of the world’ scenario in which everybody dies in some kind of nuclear holocaust, the Apocalypse is more of a transitional process in which one way of life comes to an end and another is born. The infancy of the Apocalypse transpired during the ’60s.
One of the cult groups that flourished during the ’60s was known as The Process. At the core of Processean theology were four prime, diametrically opposed deities. The four deities were not thought of so much as gods as they were psychological archetypes. Members were assigned personality types composed of a combination of the two main deities with whom they personally identified. bifrost operates in much the same manner as this, a somewhat scientific method of spirituality.
There are a few things about the bifrost that may make it seem controversial, but most of this is fairly easy to explain:
First, I will address the nude court cards. The court cards are based on the Thoth system. However, the prince-queen pairs also work with another system of classifying personality types known as the LaVey Personality Synthesizer. Since the LPS uses body shape as a means of identifying one’s general type of personality, it is important to show the dimensions of the bodies as clearly as possible. Rendering the courts nude also avoids any kind of fashion statements. Flagrant nudity is reminiscent of the 1960s, an apocalyptic climax that Crowley had spent his life setting the table for. bifrost was heavily influenced by the occultists and cult activity that took place during this period. I was not concerned so much with addressing the unfortunate shame that modern man feels for his physical form, nor was I intending to make the poses erotic or humorous.
On the choice of the swastika: the clockwise swastika represents the sun and Tiphareth. I prefer this solar symbol to the more popular phallic version because of the Gnostic symbolism in the swastika. It’s kind of tragic that in modern culture, the swastika invokes nothing more than a hateful image of Nazi Germany, when this great symbol has been used by so many cultures all through history. This symbol stands for the number six, the number of man. The swastika also represents Abrasax, the four seasons, and the sum of all time.
bifrost was made for divination, alchemy, and self-introspection – not for fortune-telling. I would define divination as the unification of one’s personal will with that of the divine. It has to do with learning to control the impulse for egocentric judgement in favor of understanding and accepting the holistic perspective of the higher self.
The two extra cards in the deck present another area of confusion. bifrost was the first (and to the best of my knowledge, still the only) tarot to reflect the unique wisdom of Timothy Leary. The Black Hole and the Aeon have been added to fulfil the system of 24 which was proposed by Dr. Timothy Leary. Leary claimed there were extra Major Arcana cards that were yet to be revealed, as mankind had yet to unlock those new awarenesses. At the end of the Majors, two extra cards now reveal the pathway home – to break the cycle of reincarnation and move forward to the next level. Leary posited the idea that the Major Arcana is actually a blueprint of humanity’s growth both as an individual and as a species, beginning with infancy at the Fool, with the goal of ascension to godhood, the Singularity. To gain better understanding of the modernized occult awareness of the 24 keys, read The Game of Life (Timothy Leary, 1979).
One last major area of confusion concerning the Book of Thoth may be due to conclusions drawn from fragments of gnostic scriptures. Since the more recent discovery of the Nag Hammadi codices, it is evident that mistakes were made, perhaps not in the art, but in terminology. For example, in the Book of Thoth, Crowley names the lion-serpent seen flying above the tower Abraxas. It’s easy to assume how such an error could be made. After Crowley’s death, the Nag Hammadi codices revealed the lion-serpent to be the demiurge (the creator of the physical reality) otherwise known as Ialdabaoth to Gnostics – and as Jehovah to the uninitiated. Abrasax serves as the guardian of the highest heaven, the apparent epitome of spiritual awareness – quite the antithesis of the self-centred monster-god of supreme arrogance and ignorance. The figure of Abrasax holds a shield which is Ialdabaoth, the sun.
After the Abra-melin, insanity took hold. I became obsessed with a spiritual quest to forge a tarot deck that reflected my unique perspective. Since the era of Aleister Crowley, many things have happened in the spiritual underground that could be called the world of the occult. Many important figures have come and gone, often ignored or greatly misunderstood. It was my goal to make a tarot in the highest mystical tradition. The tarot is a sacred oracle that reflects what humanity has come to understand about its place in the universe. For a tarot deck to be true to its name, its seed must be planted by an angel.
bifrost Tarot Copyright © 2007 Jeremy Lampkin