The Astrological Spread
Difficulty: Complicated
The Astrological Tarot Spread is based upon houses of astrology. This complicated spread takes several steps to understand.
The first step is to interpret the tarot card for each individual position in the spread.
The second step involves further examination of the main axes. Positions 1 & 7 show the relationship theme, #1 representing the reader, #7 their partner. Positions 4 & 10 indicate motion. #4 indicates where the reader is now, and #10 suggests what they are moving towards.
The third step involves breaking down the chart into triads according to their house elements.
Positions 1, 5, & 9 represent the Fire triad, symbolising temperament and personal development.
Positions 2, 6, & 10 represent the Earth triad, concerned with materialism, money, and work.
Positions 3, 7, & 11 represent the Air triad, which has to do with thoughts, ideas, and connections with other people.
Positions 4, 8, & 12 represent the Water triad, the realm of emotions, moods, intuition, and yearnings.
Further, other patterns and correlations between certain numbers can be noted. Certain numbers such as the set of 5, 7, & 8 often speak about a particular theme.
Your Astrological Reading
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1: Basic Mood
The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)
2: Finance
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
3: Mundane Life
The bright colours symbolise many possibilities. The Fool is holding the pilgrim's staff in his hand. Water and fish indicate openness and vivacity. The butterflies also indicate different ideas and a joy of living.
The golden yellow background gives the scene energy of life. One can see the tip of the Fool's cap. The cross, or rather the handle of the sword in the background, gives an awareness of danger, which is lurking along the path the Fool is going to take.
4: Home
A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.
The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.
5: Fun Things
This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.
The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.
6: Work
The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.
The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.
7: Partners
The illustration represents growth, nature and fertility. One can see certain fruits, including two pomegranates (fertility). The ears of corn represent the Empress' secret crown. The apple is in the shape of a heart. The three fish in the water symbolise feelings and emotionalism, as well as the Empress' figure three.
The illusion of a bowl, in which the fruit is lying, can be connected with conception, the uterus and with pregnancy. The trees present slow growth. The Empress is holding her sceptre in her left hand.
8: Hidden Aspects
The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.
The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.
9: Higher Views
The pentahedral star in the picture shows how the four elements, which appear in the four lower rays, come into contact with spiritualism. This is represented in the uppermost point by God's eye, in the iris of which the Wheel of Fortune is alluded to. The violet background underlines the principle of spiritualism.
The labyrinth in the middle of the star points to the search for the meaning, which by way of the heart is also a search for the centre. The two hands at the top represent the obvious (exoteric) and the concealed (esoteric). The praying hands at the bottom symbolise the pupil.
10: Reputation
The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.
The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.
11: Friends
The striking red background of the picture shows that justice has to be very often looked for in emotional situations. Libra's sword and suspension are blue. This stands for rational action. The sword with its double cross the card's eight. The violet colour of the bowls shows the necessity for openness and entirety.
Both hands are equally involved in the weighing process. Rationality and intuition are both important. The eye is half open, it is looking both outwardly and inwardly. The fruits symbolise maturity, which has to reach a good decision for justice.
12: Hopes and Fears
The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.
The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.
