Comic Strip Spread

 

 

Difficulty: Easy

Note: This spread works best with decks like the Diary of a Broken Soul or Surrealist Tarot because they display scenes rather than pips and do not use reversals.

The Comic Strip Spread is a simple nine-card chronological spread that looks like a page of a comic book. This method should be used to get a glimpse of the future as it would pan out naturally. It may be insightful to use this spread in coordination with biorhythms. The spread is easy to read as a storyboard, just like a comic strip.

The main subject is apparent in the first card, while the story plays out through the following tarot cards.

It is important to pay particular attention to the cards and the relationships with their neighbours. Notice which directions the cards are facing, and how they interact.

 

 

 

 

 

 

 

 

 

Your Comic Strip Reading

The Fool	The High Priestess	Temperance
The Hanged Man	The Chariot	The Sun
The Wheel of Fortune	The Star	The Hermit

 

 

 

 

Card 1: The Fool

The bright colours symbolise many possibilities. The Fool is holding the pilgrim's staff in his hand. Water and fish indicate openness and vivacity. The butterflies also indicate different ideas and a joy of living.

The golden yellow background gives the scene energy of life. One can see the tip of the Fool's cap. The cross, or rather the handle of the sword in the background, gives an awareness of danger, which is lurking along the path the Fool is going to take.

 

 

 

 

Card 2: The High Priestess

The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.

The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.

 

 

 

 

Card 3: Temperance

The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)

 

 

 

 

Card 4: The Hanged Man

The sole of the foot is turned upwards, the world is turned upside down. This is what the picture shows. The beam and the rope are blue. Rationality, an attempt to consciously act, binds the hanged man. But here there also seems to be hope. Leaves are growing out of wood.

The colour yellow at the bottom of the picture stands for the light which the hanged man experiences when he manages to let himself fall. The wide path in the background leads to a dead-end against blue rocks. Walking back a bit one can find a narrow track which leads around the rocks back into the light. The violet background portrays the night sky. Normal vision is not carried any further.

 

 

 

 

 

 

 

 

 

 

 

Card 5: The Chariot

The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.

The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.

Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.

 

 

 

 

Card 6: The Sun

The sun can be seen clearly and it dominates the picture. The last walls are being conquered and in between them flowers are already growing. This lets us suspect that the difficult path is at an end. The path, which continues, can already be seen beyond the wall.

 

 

 

 

Card 7: The Wheel of Fortune

In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.

The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.

 

 

 

 

Card 8: The Star

Nine stars are pointing towards a goal. The violet colour in the picture illustrates the spiritual atmosphere, the blue water and the fish symbolise clarity, flow of energy and liveliness, the path is well lit and seems to become easier and the sky is clearing to a light blue.

The signs of the Zodiac point towards methods, which are occupied with one's own future, and act as deputy for all oracle techniques.

 

 

 

 

Card 9: The Hermit

The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.

The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.