Game Plan Spread

Game Plan Spread

 

 

Difficulty: Easy

When a person has a certain plan in mind, this simple five-card spread presents a choice, hinting at what action or attitude should be taken for their plan to succeed, and what should be avoided to help the plan work out for the best.

The initial card is laid in the centre of the layout, the significator. The following four cards are laid out clockwise around the significator.

In this spread, the second card is about what drives the reader, but also says they are not fully conscious of this, perhaps even completely unaware of it. It provides a hint as to the reason they strive for their goal.

The third card uncovers what others think of the reader and their goals. The reader may or may not be aware of this. Sometimes other people factor into the plans (and sometimes they don't).

The fourth card suggests what not to do. If things are permitted to go down this path, the plan will collapse.

The fifth card is a hint as to how to make this plan work out favourably. The idea this card presents should be followed to make the plan successful. It is the differences between Cards #4 & #5 that should be noted, as the differences provide important clues.

 

 

 

 

 

 

 

 

Your Game Plan Reading

Unconscious Drive

Strength
  External Influences

The Moon
  Significator

The Tower
 
How it Will Succeed

The Chariot
  How it Will Not Succeed

Judgement

 

 

 

 

The Tower

A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.

The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.

 

 

 

 

Strength

A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.

The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.

 

 

 

 

The Moon

This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.

The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.

 

 

 

 

 

 

 

 

 

 

 

Judgement

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.

 

 

 

 

The Chariot

The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.

The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.

Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.

 

 

 

 

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