Relationship Spread #1
Difficulty: Easy
This tarot spread is easy to read, like a convenient chart. In this spread, court cards generally indicate actual people with the same characteristics. Knights (or corresponding princes, but not kings) and queens are meant to represent actual men and women in this tarot spread. Look for patterns in the cards as always.
Card #1 is the overall significator of the relationship. The two columns on either side of the significator characterise each individual's role in the relationship. The relationship does not have to be romantic. In fact, it could be a relationship between a person and a group, or even how two groups relate.
The top row, cards #7 & #2, is about the conscious thoughts of each person, or what they think about the relationship and likewise how they view their partner.
The middle row, cards #6 & #3, reveals the way each individual feels about the other. Emotional awareness corresponds to a person's unconscious thoughts that run deep, affecting a person in ways he or she is not fully aware of.
The bottom row, cards #5 & #4, represents the way each person behaves, in other words the stance taken regarding the relationship. The way a person acts may be genuine, but sometimes people are phony and manipulative, so it is best to weigh this card against the other person's cards to determine how they match up.
Your Relationship #1 Reading
| You | Other Person | ||
| Thought |  The Wheel of Fortune |
 The Devil |
|
| Emotion |  The Lovers |
The Significator The Chariot |
 Temperance |
| External Stance |  The Sun |
 The Moon |
The Significator
The Chariot
The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.
The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.
Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.
The Querent's Thoughts
The Wheel of Fortune
In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.
The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.
The Other Person's Thoughts
The Devil
The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.
The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.
The Querent's Emotions
The Lovers
The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.
The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.
The Other Person's Emotions
Temperance
The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)
The Querent's External Stance
The Sun
The sun can be seen clearly and it dominates the picture. The last walls are being conquered and in between them flowers are already growing. This lets us suspect that the difficult path is at an end. The path, which continues, can already be seen beyond the wall.
The Other Person's External Stance
The Moon
This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.
The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.
