Ankh Spread
Difficulty: Kind of tough
The Ankh Spread is for questions about the causes behind trends. It is similar to the Celtic Cross and Secret of the High Priestess spreads, but it covers the reasons behind the circumstances in question differently, perhaps giving a better explanation of why things are the way they are.
The loop of the upper section of the ankh reveals the spiritual background and causes of the situation, while the stem of the base focuses on prospects for the outcome.
The first two tarot cards represent the two parent causes of the situation. They will either complement each other or show two opposing sides of a conflict, depending on how they relate. These are the significator cards of the Ankh spread.
3. This tarot card shines light upon the early causes of the trend in question.
4. Pinpoints the causes that triggered the current situation.
5. Reveals the spiritual perspective of the subject at hand.
6. This card examines the reasons why this course of action had to unfold, as a means to this end.
At this point, it is good to pause to soak in the meaning of the first six cards before moving forward to the last three cards. The last three reveal prospects for the future.
7. The Next Step gives clues about the immediate future.
8. Surprising Experiences encountered en route to the result.
9. This represents the result.
Your Ankh Reading
| Early Causes | Higher Perceptions  Princess of Swords |
Triggering Causes |
 The Wheel of Fortune |
Necessary Conclusions |  5 of Wands |
| Significator #1 |  10 of Cups |
Significator #2 |
 Queen of Wands |
Next Step |  Strength |
 9 of Swords |
||
Surprising Experiences  8 of Cups |
||
Outcome  King of Cups |
Significator #1
Queen of Wands
The orangey-yellow colour of the picture symbolises fire; the green colour portrays fertility and growth. The sunflowers also testify a connection between energy and growth.
The throne gives the impression of a sun-queen; the creases on her skirt point to sexual energy, her red hair is tied back. The black cat, with its back to us, stands for independence and magic powers. There is a precious stone on the queen's crown, this connects her to the magician's figure one.
Significator #2
Strength
A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.
The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.
Early Causes
The Wheel of Fortune
In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.
The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.
Triggering Causes
5 of Wands
The beam of a building or some construction shows a definite crack and looks as if it will soon break; therefore, there is need for action. Five different coloured hands are trying to mend it by supporting the beam with stakes. But they are lacking in coordination and a united aim. One has the impression that the stakes could form an upside-down five-pointed star.
Higher Perceptions
Princess of Swords
She looks suspicious, she is holding her sword, ready for action. She needs to be at a distance from the castle, which is too near, but she wants to feel this nearness. The three swords in the heart above her point to injuries.
She does not seem to enjoy the beauty of the two flowers, the heads of which she has just cut off. She will perhaps be sorry later. Her books are sacred and she also writes down her thoughts. One can imagine how beautiful her hair is, which she has not completely hidden under her helmet.
Necessary Conclusions
10 of Cups
The sprouting seed refers to actual growth. The heart leads two ends together into a point. The house offers an outward protection for a partnership for life.
The child (small hand) shows itself as being an actual product of its parents' love. The snake suggests that the child will carry this cycle on, one day, as a parent.
The Next Step
9 of Swords
The swords look like teeth, which at any moment could bite. The hands are held up for protection. The eye wants to open, but its vision is obstructed.
The waning moon emphasises the existing fear. The sunrise is at hand. Roses promise development, joy of life and the coming forth of emotions in the near future.
Surprises
8 of Cups
Seven cups are covered with a cloth, so that they won't be damaged during absence. A cup is being held in the left hand and a sword in the right. They look like a complementary couple.
There is water to the right and left of the path and one must take care not to tread in it. In the background we can see the Hermit's hut and several hills, which could turn out to be mountains. The waxing moon shows uncertainty. The journey might not be too easy.
The Outcome
King of Cups
The king's figure and features show a certain easy-going nature and goodness. The throne's decoration underlines the qualities of love and joy which are engraved on him.
He is holding a gift in his right hand. He is very much aware that presents play an important role in friendships. The table in the background, prepared for festivities, encourages a social gathering.
