The Astrological Spread

Difficulty: Complicated
The Astrological Tarot Spread is based upon houses of astrology. This complicated spread takes several steps to understand.
The first step is to interpret the tarot card for each individual position in the spread.
The second step involves further examination of the main axes. Positions 1 & 7 show the relationship theme, #1 representing the reader, #7 their partner. Positions 4 & 10 indicate motion. #4 indicates where the reader is now, and #10 suggests what they are moving towards.
The third step involves breaking down the chart into triads according to their house elements.
Positions 1, 5, & 9 represent the Fire triad, symbolising temperament and personal development.
Positions 2, 6, & 10 represent the Earth triad, concerned with materialism, money, and work.
Positions 3, 7, & 11 represent the Air triad, which has to do with thoughts, ideas, and connections with other people.
Positions 4, 8, & 12 represent the Water triad, the realm of emotions, moods, intuition, and yearnings.
Further, other patterns and correlations between certain numbers can be noted. Certain numbers such as the set of 5, 7, & 8 often speak about a particular theme.
Your Astrological Reading
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1: Basic Mood

The picture shows coloured energy as well as a certain pallor. The brown colour suggests to us, stuck in the earth, that the right wand could help us.
The hand appears to be hesitant, the waning moon points to fear, the flag of parliament indicates false compromises. The waves in the middle show the situation's emotions.
2: Finance

By winking, the prince is trying to make the marshy spot more attractive for a bathe. The content of his cup doesn't look like water. The sun brightens the scene, although the first cloud has already appeared.
3: Mundane Life

The colours portray richness of energy as well as naturalness and balance. The trees are young, which shows the garden has just been laid out. The small fir tree, put up for the topping-out ceremony, is still standing on the roof of the house.
The garden-gate is open and the hand is making an inviting gesture. The wall, however, gives a certain amount of protection and the door can also be closed.
The number four, noticeable in the clouds, in the number of trees and the style of the building stones, emphasise materialism. The mountains in the background indicate that this is most probably not the last project of its sort.
4: Home

The rich man is reaching over the wall and giving away the surplus of his material goods. The poor man is giving something back; it is unclear how. There is a candle on the side of the rich man, which was concealed on the Five of Pentacles. An unbroken circle of energy emerges.
5: Fun Things

Three cups are spilling their contents. The other two are collecting what is lost, suggesting that nothing can really be lost. Nevertheless, the spill is important so that a change can take place.
The tower and the star refer to the cards, which are following the devil, which is related to the five cups. The flames in the tower can be understood as a heart. If the observer turns round, he will take the path in the right direction and will not look back.
6: Work

The princess is apparently in a holiday situation with palm-trees, a beach and the sea. Fire (sun) and water (sea) come together here. Heat and refreshment alternate. There are enough references to the erotic theme in the picture.
7: Partners

The middle sword divides the scene. It symbolises disconnection in itself and is the only one that has remained whole.
The 'winner's' sword, decorated with a laurel wreath, seems to be less bent than that of the 'loser', but it is also unusable. The pierced heart shows the 'loser's' certainty of having injured his enemy in the worst possible way.
The dark colours in the picture show that it is a matter of something unpleasant. The energetic connection, portrayed by the waves at the top and bottom, has been cut off.
8: Hidden Aspects

The king's figure and features show a certain easy-going nature and goodness. The throne's decoration underlines the qualities of love and joy which are engraved on him.
He is holding a gift in his right hand. He is very much aware that presents play an important role in friendships. The table in the background, prepared for festivities, encourages a social gathering.
9: Higher Views

Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.
The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.
10: Reputation

A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.
The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.
11: Friends

The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)
12: Hopes and Fears

The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.
The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.