The Golden Dawn or Thoth Method

Difficulty: Complicated
Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.
The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.
In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.
As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.
Card #1 represents the reader and the nature of the topic at hand.
Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.
The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.
Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.
Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.
Your Golden Dawn Reading
| The Alternate Path (or Extension of Current Path) |
Your Current Path |
|||||
The Hermit |
Prince of Wands |
5 of Cups |
King of Wands |
7 of Swords |
2 of Coins |
|
| The Querent | ||||||
5 of Wands |
6 of Coins |
9 of Swords |
||||
| The Psychological Basis | Karma | |||||
The Lovers |
10 of Coins |
The Magician |
King of Cups |
King of Swords |
5 of Swords |
|
The Querent
cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.

The rich man is reaching over the wall and giving away the surplus of his material goods. The poor man is giving something back; it is unclear how. There is a candle on the side of the rich man, which was concealed on the Five of Pentacles. An unbroken circle of energy emerges.

The beam of a building or some construction shows a definite crack and looks as if it will soon break; therefore, there is need for action. Five different coloured hands are trying to mend it by supporting the beam with stakes. But they are lacking in coordination and a united aim. One has the impression that the stakes could form an upside-down five-pointed star.

The swords look like teeth, which at any moment could bite. The hands are held up for protection. The eye wants to open, but its vision is obstructed.
The waning moon emphasises the existing fear. The sunrise is at hand. Roses promise development, joy of life and the coming forth of emotions in the near future.
Your Current Path
cards represent your current path as it would unfold naturally. These cards are read in chronological order from left to right.

The wall confines the fire and bundles it up. Its violet colour shows that it has been built consciously and with spiritual energy, intent on higher ideals.
The triangle on the square shows the ideal integration of divinity and mortality. The fish in the fiery water indicates fiery emotionality as the basis for materialism. The symbol of the wand is recognised by the nine-fold loop on the back of the card.

The left hand points to the new path towards intuition and the subconscious. The colours correspond with those of the Cups. The right hand tends to turn towards the swords. This area is dominated by the colour blue. The question is how many swords should be taken on the journey.

The picture is based on a classical presentation. The alternation is portrayed by the changing of the green and yellow colours and in addition through the movement the snake makes around the two pentacles, fashioned in the circle of colours. This appeals to a repetition of experiences. The double loop relates to our entire path through life.
The Alternate Path
cards represent the alternate path that you could choose to take in lieu of the Current Path. However, if the cards that come up seem to indicate that they go along with the Current Path, these three cards should be interpretted not as an Alternate Path, but as a chronological extension of the Current Path (also read from left to right).

The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.
The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.

The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.
He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.

Three cups are spilling their contents. The other two are collecting what is lost, suggesting that nothing can really be lost. Nevertheless, the spill is important so that a change can take place.
The tower and the star refer to the cards, which are following the devil, which is related to the five cups. The flames in the tower can be understood as a heart. If the observer turns round, he will take the path in the right direction and will not look back.
The Psychological Basis
cards shed light upon the psychological undertones of the current problem.

The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.
The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.

The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).
The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.

The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.
The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.
Karma
These cards represent the influences of karma and destiny that are beyond your control. They suggest adapting to this fate.

The king's figure and features show a certain easy-going nature and goodness. The throne's decoration underlines the qualities of love and joy which are engraved on him.
He is holding a gift in his right hand. He is very much aware that presents play an important role in friendships. The table in the background, prepared for festivities, encourages a social gathering.

The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.
The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.

The middle sword divides the scene. It symbolises disconnection in itself and is the only one that has remained whole.
The 'winner's' sword, decorated with a laurel wreath, seems to be less bent than that of the 'loser', but it is also unusable. The pierced heart shows the 'loser's' certainty of having injured his enemy in the worst possible way.
The dark colours in the picture show that it is a matter of something unpleasant. The energetic connection, portrayed by the waves at the top and bottom, has been cut off.