The Golden Dawn or Thoth Method
Difficulty: Complicated
Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.
The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.
In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.
As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.
Card #1 represents the reader and the nature of the topic at hand.
Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.
The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.
Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.
Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.
Your Golden Dawn Reading
| The Alternate Path (or Extension of Current Path) |
Your Current Path |
|||||
 The Hierophant |
 3 of Wands |
 King of Swords |
 Princess of Coins |
 Princess of Cups |
 Queen of Coins |
|
| The Querent | ||||||
 3 of Cups |
 8 of Wands |
 Ace of Coins |
||||
| The Psychological Basis | Karma | |||||
 9 of Coins |
 Temperance |
 10 of Swords |
 8 of Cups |
 Judgement |
 The Chariot |
|
The Querent
cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.
The sketch quotes the picture from the Raider-Waite deck. Eight wands are flying through the air.
All the equipment for a celebration is united, wine, food, fireworks, love, happiness and society. There is nothing missing. The snake, which is biting its tail, suggests that celebrations begin and end. We let them come and go, like fireworks; they do not last very long.
All the elements are present on the picture, because the element, earth, actually contains all the other elements. The pentacle, as the fourth element, is mounted in a square frame, emphasising its relationship with the number four.
Your Current Path
cards represent your current path as it would unfold naturally. These cards are read in chronological order from left to right.
The many different types of mushrooms fascinate the princess. Each one of them is like a precious stone. She collects everything she finds without considering what to do with them. As one can see, some of the mushrooms are poisonous. Her curiosity and openness can also be a danger to her.
She is in the country. The busy mice look like friends or brothers and sisters.
Waves emboss the picture and the princess‘ hair and the night-sky move with them. The moon and stars indicate intuition and emotionality.
The eyes seem to mirror the night-light, and also point to the personal inner starry sky. The hearts in the picture speak for themselves and the three fish suggest approaching materialism.
The queen has made her and her family home very comfortable. Everything has been arranged beautifully, there are flowers on the table, delicious food is prepared, and as well as this she is carrying a new-born baby in her arms. You would think she would need four hands to accomplish it all.
She looks rather discontented and the red colour in the picture suggests a banked-down fire. The four precious stones on the crown refer to the element earth.
The Alternate Path
cards represent the alternate path that you could choose to take in lieu of the Current Path. However, if the cards that come up seem to indicate that they go along with the Current Path, these three cards should be interpretted not as an Alternate Path, but as a chronological extension of the Current Path (also read from left to right).
The pentahedral star in the picture shows how the four elements, which appear in the four lower rays, come into contact with spiritualism. This is represented in the uppermost point by God's eye, in the iris of which the Wheel of Fortune is alluded to. The violet background underlines the principle of spiritualism.
The labyrinth in the middle of the star points to the search for the meaning, which by way of the heart is also a search for the centre. The two hands at the top represent the obvious (exoteric) and the concealed (esoteric). The praying hands at the bottom symbolise the pupil.
In front of the rising sun the first posts are being erected for the building of a new house. The hand has taken a firm hold of the wand; part of the wall has already been erected.
The wall symbolises the appearance of our conceptions. The mountains in the background show the definite ideas and conceptions that will materialise in the future.
The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.
The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.
The Psychological Basis
cards shed light upon the psychological undertones of the current problem.
A pile of pentacles is being held by two hands. The scene looks like a rich garden, protected by a wall. Grapes in the foreground and valuable rings on both of the hands emphasise the impression of wealth.
The bird of prey has many different faces. It is protecting what it has seized. Its figure alone makes a good impression. However, it is also a bird which captures its prey, as its name indicates.
The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)
Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.
The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.
Karma
These cards represent the influences of karma and destiny that are beyond your control. They suggest adapting to this fate.
Seven cups are covered with a cloth, so that they won't be damaged during absence. A cup is being held in the left hand and a sword in the right. They look like a complementary couple.
There is water to the right and left of the path and one must take care not to tread in it. In the background we can see the Hermit's hut and several hills, which could turn out to be mountains. The waxing moon shows uncertainty. The journey might not be too easy.
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.
The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.
Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.
