The Three Pyramids Spread
Difficulty: Complicated
Basically, there is the main pyramid in the centre, and two smaller pyramids on each side. One is inverted.
Positions 1 & 3 represent where the reader comes from, or what has made them/shaped them on the various levels. Can be from environment, upbringing, schooling, etc. A look at the past, but with more objectivity than is usually given when using tarot cards.
Positions 4 & 5 represent who the reader is right now. May or may not make pleasant reading, but hey, this is what this is about, right?
Position 6 represents who the reader could be. Again, it might or might not look good, but a person can learn from that and change who they are accordingly. (This is a bit like how Scrooge did things in 'A Christmas Carol'.)
Positions 7 & 8 are the reader's strengths. This is the light they have, which can be bought to the forefront. What carries the person should not be hidden or unacknowledged.
Position 9 represents what should be given to oneself or created within.
Position 10 & 11 represent personal areas for development or weaknesses. Again, might not make good reading, but if someone looks at their strengths first, they will be able to see a balance is there and can choose to focus on one side or the other. This is where a person could really see how their shadow side comes into play.
Position 12 represents what the reader should be offering externally, or what they can bring to their world or to others who inhabit that world.
Your Three Pyramids Reading
Strength #1 |
Strength #2 |
 |
Exhibit |
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Nurture This |
Potential |
Infirmity #1 |
Infirmity #2 |
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Now #1 |
Now #2 |
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Base (past) #1 |
Base (past) #2 |
Base (past) #3 |
1: Base #1
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
2: Base #2
The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.
He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.
3: Base #3
The sprouting seed refers to actual growth. The heart leads two ends together into a point. The house offers an outward protection for a partnership for life.
The child (small hand) shows itself as being an actual product of its parents' love. The snake suggests that the child will carry this cycle on, one day, as a parent.
4: Where you are now #1
The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.
The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.
5: Where you are now #2
Seven cups are covered with a cloth, so that they won't be damaged during absence. A cup is being held in the left hand and a sword in the right. They look like a complementary couple.
There is water to the right and left of the path and one must take care not to tread in it. In the background we can see the Hermit's hut and several hills, which could turn out to be mountains. The waxing moon shows uncertainty. The journey might not be too easy.
6: Your potential
The sketch quotes the picture from the Raider-Waite deck. Eight wands are flying through the air.
7: Strength #1
All the equipment for a celebration is united, wine, food, fireworks, love, happiness and society. There is nothing missing. The snake, which is biting its tail, suggests that celebrations begin and end. We let them come and go, like fireworks; they do not last very long.
8: Strength #2
A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.
The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.
9: Nurture this
The intensity of the Nine of Wands diminishes in the Ten of Wands. The colours are paler; it seems more difficult to hold the wands together; at the same time the small flames are burning both hands, the leaves are beginning to wither.
10: Weakness #1
The picture shows a closed eye. A lot is still taking place inwardly. The heart and water in a way are being crossed out. Emotions have to be left out for the moment.
The varying thoughts seem to influence one another. Both hands are open. Each thought is equally valuable at the moment.
11: Weakness #2
This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.
The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.
12: Behavior to exhibit
The middle sword divides the scene. It symbolises disconnection in itself and is the only one that has remained whole.
The 'winner's' sword, decorated with a laurel wreath, seems to be less bent than that of the 'loser', but it is also unusable. The pierced heart shows the 'loser's' certainty of having injured his enemy in the worst possible way.
The dark colours in the picture show that it is a matter of something unpleasant. The energetic connection, portrayed by the waves at the top and bottom, has been cut off.
