The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
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1: Person #1
The orangey-yellow colour of the picture symbolises fire; the green colour portrays fertility and growth. The sunflowers also testify a connection between energy and growth.
The throne gives the impression of a sun-queen; the creases on her skirt point to sexual energy, her red hair is tied back. The black cat, with its back to us, stands for independence and magic powers. There is a precious stone on the queen's crown, this connects her to the magician's figure one.
2: Person #2
The two faces and the two cups seem together to form an entirety. The difference between them is shown, among other things, through the colours, which, in each case, mirror the opposite.
Two fish in the water also suggest dualism in the unity. In the same way, the heart at the top, made of two parts, becomes one at the bottom. The suggestion of an angel above the heads supports the same theme.
3: Person #3
The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.
The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.
4: Person #1's view of #2
The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.
The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.
5: Person #2's view of #3
She looks suspicious, she is holding her sword, ready for action. She needs to be at a distance from the castle, which is too near, but she wants to feel this nearness. The three swords in the heart above her point to injuries.
She does not seem to enjoy the beauty of the two flowers, the heads of which she has just cut off. She will perhaps be sorry later. Her books are sacred and she also writes down her thoughts. One can imagine how beautiful her hair is, which she has not completely hidden under her helmet.
6: Person #3's view of #1
A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.
The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.
7: Person #2's view of #1
Three cups are spilling their contents. The other two are collecting what is lost, suggesting that nothing can really be lost. Nevertheless, the spill is important so that a change can take place.
The tower and the star refer to the cards, which are following the devil, which is related to the five cups. The flames in the tower can be understood as a heart. If the observer turns round, he will take the path in the right direction and will not look back.
8: Person #3's view of #2
Four pentacles are already completed and are standing under the table. They are the pentacles from the first four Pentacle cards.
The hour-glass shows that time is still needed for the work. The handle of the tool looks like a wand and indicates that, with the necessary commitment (small flame), success will slowly develop (leaf). The storm announces the future success.
9: Person #1's view of #3
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
10: Overall relationship between persons #1 and #2
The hand is fairly big, which makes the boot seem small and unsteady. It is consciously trying to keep in contact with the water and the creatures living in it.
Six swords are on board and are supposed to be giving protection. The scene is dark and a little sinister. The colours portray a mixture of emotionality and consciousness. The moon is waxing. The path through uncertainties and fears can take time.
11: Overall relationship between persons #2 and #3
The picture shows an attestation as a symbol of real development and change, framed by symbols of different areas of life: a fish, sausages, a hammer and compass for handicrafts, a lute, a palette and brushes for art, a book for knowledge, appreciation and education, the two hands for social understanding.
12: Overall relationship between persons #1 and #3
In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.
The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.
13: Overall 3-way Relationship
The world seems to be a wallowing in the emotions for the queen. The waves in the background seem to be carrying her throne, which she clearly seems to be enjoying. The moon and the stars portray the light that she intuitively or indirectly sees.
The instrument she is holding under her right arm allows her to express her inspirations and to hand them on to others. She could also be an artist.
