The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
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1: Person #1
The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.
The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.
2: Person #2
All the elements are present on the picture, because the element, earth, actually contains all the other elements. The pentacle, as the fourth element, is mounted in a square frame, emphasising its relationship with the number four.
3: Person #3
Waves emboss the picture and the princess‘ hair and the night-sky move with them. The moon and stars indicate intuition and emotionality.
The eyes seem to mirror the night-light, and also point to the personal inner starry sky. The hearts in the picture speak for themselves and the three fish suggest approaching materialism.
4: Person #1's view of #2
By winking, the prince is trying to make the marshy spot more attractive for a bathe. The content of his cup doesn't look like water. The sun brightens the scene, although the first cloud has already appeared.
5: Person #2's view of #3
This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.
The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.
6: Person #3's view of #1
The rich man is reaching over the wall and giving away the surplus of his material goods. The poor man is giving something back; it is unclear how. There is a candle on the side of the rich man, which was concealed on the Five of Pentacles. An unbroken circle of energy emerges.
7: Person #2's view of #1
The queen has made her and her family home very comfortable. Everything has been arranged beautifully, there are flowers on the table, delicious food is prepared, and as well as this she is carrying a new-born baby in her arms. You would think she would need four hands to accomplish it all.
She looks rather discontented and the red colour in the picture suggests a banked-down fire. The four precious stones on the crown refer to the element earth.
8: Person #3's view of #2
The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.
He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.
9: Person #1's view of #3
The princess is apparently in a holiday situation with palm-trees, a beach and the sea. Fire (sun) and water (sea) come together here. Heat and refreshment alternate. There are enough references to the erotic theme in the picture.
10: Overall relationship between persons #1 and #2
A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.
The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.
11: Overall relationship between persons #2 and #3
A pile of pentacles is being held by two hands. The scene looks like a rich garden, protected by a wall. Grapes in the foreground and valuable rings on both of the hands emphasise the impression of wealth.
The bird of prey has many different faces. It is protecting what it has seized. Its figure alone makes a good impression. However, it is also a bird which captures its prey, as its name indicates.
12: Overall relationship between persons #1 and #3
The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.
The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.
The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.
13: Overall 3-way Relationship
Six cups contain symbols which refer to themes of illusions. The themes are intoxication (alcohol), gambling and fortune-telling (playing-cards), successful thoughts (laurel-wreath), sex and beauty (woman), wish-fulfilment (island) and wealth (money and jewels). The star in the seventh cup symbolises the vision which has to be followed.
