The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
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P#1 |  |
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||
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1: Person #1
The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).
The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.
2: Person #2
The sketch quotes the picture from the Raider-Waite deck. Eight wands are flying through the air.
3: Person #3
The striking red background of the picture shows that justice has to be very often looked for in emotional situations. Libra's sword and suspension are blue. This stands for rational action. The sword with its double cross the card's eight. The violet colour of the bowls shows the necessity for openness and entirety.
Both hands are equally involved in the weighing process. Rationality and intuition are both important. The eye is half open, it is looking both outwardly and inwardly. The fruits symbolise maturity, which has to reach a good decision for justice.
4: Person #1's view of #2
Six cups contain symbols which refer to themes of illusions. The themes are intoxication (alcohol), gambling and fortune-telling (playing-cards), successful thoughts (laurel-wreath), sex and beauty (woman), wish-fulfilment (island) and wealth (money and jewels). The star in the seventh cup symbolises the vision which has to be followed.
5: Person #2's view of #3
Water is formed from a cloud, due to condensation, and is dripping into a cup. Through this the relationship between water and its opposite energy air is portrayed. If we look carefully all the four elements are present here: water=Water, cup= Earth, cloud= Air and the liberated energy = Fire.
6: Person #3's view of #1
The queen is holding the butterfly carefully on her lap. At the same time, she is showing the detached chain and is banishing the black butterfly to the guillotine.
The blood on the ground shows clearly that the apparatus has already been used. She does not look callous; instead, she looks grievous and resolute. Her collar, studded with 15 precious stones, indicates she is sometimes struck dumb by little devils, the result of painful experiences.
7: Person #2's view of #1
The bright colours symbolise many possibilities. The Fool is holding the pilgrim's staff in his hand. Water and fish indicate openness and vivacity. The butterflies also indicate different ideas and a joy of living.
The golden yellow background gives the scene energy of life. One can see the tip of the Fool's cap. The cross, or rather the handle of the sword in the background, gives an awareness of danger, which is lurking along the path the Fool is going to take.
8: Person #3's view of #2
The colours portray richness of energy as well as naturalness and balance. The trees are young, which shows the garden has just been laid out. The small fir tree, put up for the topping-out ceremony, is still standing on the roof of the house.
The garden-gate is open and the hand is making an inviting gesture. The wall, however, gives a certain amount of protection and the door can also be closed.
The number four, noticeable in the clouds, in the number of trees and the style of the building stones, emphasise materialism. The mountains in the background indicate that this is most probably not the last project of its sort.
9: Person #1's view of #3
The picture shows coloured energy as well as a certain pallor. The brown colour suggests to us, stuck in the earth, that the right wand could help us.
The hand appears to be hesitant, the waning moon points to fear, the flag of parliament indicates false compromises. The waves in the middle show the situation's emotions.
10: Overall relationship between persons #1 and #2
The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.
The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.
11: Overall relationship between persons #2 and #3
The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.
He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.
12: Overall relationship between persons #1 and #3
The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.
The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.
The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.
13: Overall 3-way Relationship
The intensity of the Nine of Wands diminishes in the Ten of Wands. The colours are paler; it seems more difficult to hold the wands together; at the same time the small flames are burning both hands, the leaves are beginning to wither.
