The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
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1: Person #1
The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.
The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.
2: Person #2
The sun can be seen clearly and it dominates the picture. The last walls are being conquered and in between them flowers are already growing. This lets us suspect that the difficult path is at an end. The path, which continues, can already be seen beyond the wall.
3: Person #3
A fourth cup, which, does not really want to fit in the well-balanced harmony of the other three, joins the three cups. The hand with its intensive colour shows the rejection it experiences. The fourth fish is green, as though it felt ill. Altogether the colours are lighter than those of the Three of Cups.
4: Person #1's view of #2
The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.
The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.
5: Person #2's view of #3
Six trees have been felled in a forest, which couldn't be entered and be used, because the trees were growing in all directions. They are lying to the left-hand side of the path, which is now free to let in light, causing new leaves to sprout.
The wood from the forest has been used to melt down the iron for an axe, to turn a style and therefore to create a significant relationship between growth and order.
6: Person #3's view of #1
Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.
The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.
7: Person #2's view of #1
The orangey yellow colour of the picture emphasises energy and liveliness. A wand is growing out of the ground. Liveliness grows out of stability, which gives security and nutrition.
The leaf indicates slow change, but the fire indicates a definite basic change and dissolving of processes. The heart, which seems to be inside the flame, pronounces love' passion. Energy-rays are hinted at through the wand's aura. The field of corn in the background gives a further reference to growth and fertility.
8: Person #3's view of #2
The two faces and the two cups seem together to form an entirety. The difference between them is shown, among other things, through the colours, which, in each case, mirror the opposite.
Two fish in the water also suggest dualism in the unity. In the same way, the heart at the top, made of two parts, becomes one at the bottom. The suggestion of an angel above the heads supports the same theme.
9: Person #1's view of #3
In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.
The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.
10: Overall relationship between persons #1 and #2
The colours red, blue and gray are all mixed together in this scene. Clarity fills the whole picture, but the emotions also play a role. The ten wands in the background are all mixed up.
A cloud obscures or overshadows the scene. The two drops of water show condensation, as the cloud is being influenced by the sword. These drops also represent tears.
The three swords point to a spot on the heart. It is unclear whether they are damaging it, yet one can see a drop of blood.
11: Overall relationship between persons #2 and #3
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
12: Overall relationship between persons #1 and #3
The picture shows a closed eye. A lot is still taking place inwardly. The heart and water in a way are being crossed out. Emotions have to be left out for the moment.
The varying thoughts seem to influence one another. Both hands are open. Each thought is equally valuable at the moment.
13: Overall 3-way Relationship
The beam in the Five of Wands picture has been supported. On this card a hand has taken over the leadership and restrained the different impulses from the other five hands, or as the case may be, straightened them up so that they cannot cause any more damage to the successful work. The top and the bottom of the picture show the two sides of the number seven.
