The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
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1: Person #1
All the equipment for a celebration is united, wine, food, fireworks, love, happiness and society. There is nothing missing. The snake, which is biting its tail, suggests that celebrations begin and end. We let them come and go, like fireworks; they do not last very long.
2: Person #2
The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.
The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.
3: Person #3
The orangey-yellow colour of the picture symbolises fire; the green colour portrays fertility and growth. The sunflowers also testify a connection between energy and growth.
The throne gives the impression of a sun-queen; the creases on her skirt point to sexual energy, her red hair is tied back. The black cat, with its back to us, stands for independence and magic powers. There is a precious stone on the queen's crown, this connects her to the magician's figure one.
4: Person #1's view of #2
Waves emboss the picture and the princess‘ hair and the night-sky move with them. The moon and stars indicate intuition and emotionality.
The eyes seem to mirror the night-light, and also point to the personal inner starry sky. The hearts in the picture speak for themselves and the three fish suggest approaching materialism.
5: Person #2's view of #3
Four pentacles are already completed and are standing under the table. They are the pentacles from the first four Pentacle cards.
The hour-glass shows that time is still needed for the work. The handle of the tool looks like a wand and indicates that, with the necessary commitment (small flame), success will slowly develop (leaf). The storm announces the future success.
6: Person #3's view of #1
The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.
The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.
7: Person #2's view of #1
Six trees have been felled in a forest, which couldn't be entered and be used, because the trees were growing in all directions. They are lying to the left-hand side of the path, which is now free to let in light, causing new leaves to sprout.
The wood from the forest has been used to melt down the iron for an axe, to turn a style and therefore to create a significant relationship between growth and order.
8: Person #3's view of #2
The wall confines the fire and bundles it up. Its violet colour shows that it has been built consciously and with spiritual energy, intent on higher ideals.
The triangle on the square shows the ideal integration of divinity and mortality. The fish in the fiery water indicates fiery emotionality as the basis for materialism. The symbol of the wand is recognised by the nine-fold loop on the back of the card.
9: Person #1's view of #3
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
10: Overall relationship between persons #1 and #2
The world seems to be a wallowing in the emotions for the queen. The waves in the background seem to be carrying her throne, which she clearly seems to be enjoying. The moon and the stars portray the light that she intuitively or indirectly sees.
The instrument she is holding under her right arm allows her to express her inspirations and to hand them on to others. She could also be an artist.
11: Overall relationship between persons #2 and #3
The intensity of the Nine of Wands diminishes in the Ten of Wands. The colours are paler; it seems more difficult to hold the wands together; at the same time the small flames are burning both hands, the leaves are beginning to wither.
12: Overall relationship between persons #1 and #3
In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.
The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.
13: Overall 3-way Relationship
The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.
The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.
