The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
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||
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1: Person #1
The hand is fairly big, which makes the boot seem small and unsteady. It is consciously trying to keep in contact with the water and the creatures living in it.
Six swords are on board and are supposed to be giving protection. The scene is dark and a little sinister. The colours portray a mixture of emotionality and consciousness. The moon is waxing. The path through uncertainties and fears can take time.
2: Person #2
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
3: Person #3
All the equipment for a celebration is united, wine, food, fireworks, love, happiness and society. There is nothing missing. The snake, which is biting its tail, suggests that celebrations begin and end. We let them come and go, like fireworks; they do not last very long.
4: Person #1's view of #2
Six cups contain symbols which refer to themes of illusions. The themes are intoxication (alcohol), gambling and fortune-telling (playing-cards), successful thoughts (laurel-wreath), sex and beauty (woman), wish-fulfilment (island) and wealth (money and jewels). The star in the seventh cup symbolises the vision which has to be followed.
5: Person #2's view of #3
She looks suspicious, she is holding her sword, ready for action. She needs to be at a distance from the castle, which is too near, but she wants to feel this nearness. The three swords in the heart above her point to injuries.
She does not seem to enjoy the beauty of the two flowers, the heads of which she has just cut off. She will perhaps be sorry later. Her books are sacred and she also writes down her thoughts. One can imagine how beautiful her hair is, which she has not completely hidden under her helmet.
6: Person #3's view of #1
The sword is rising out of the water. The blue colour in the picture symbolises clarity. The three different coloured butterflies indicate different thoughts and the perception of difference. One butterfly is sitting on the tip of the sword, a symbol of decision. The halo supports the impression of clarification and purification.
7: Person #2's view of #1
The orangey yellow colour of the picture emphasises energy and liveliness. A wand is growing out of the ground. Liveliness grows out of stability, which gives security and nutrition.
The leaf indicates slow change, but the fire indicates a definite basic change and dissolving of processes. The heart, which seems to be inside the flame, pronounces love' passion. Energy-rays are hinted at through the wand's aura. The field of corn in the background gives a further reference to growth and fertility.
8: Person #3's view of #2
A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.
The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.
9: Person #1's view of #3
The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).
The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.
10: Overall relationship between persons #1 and #2
Wealth and poverty are separated by a wall. The rich man is wearing white gloves. He doesn't want to get his fingers dirty. The poor man has a missing middle-finger, the centre has been lost. His stick is brittle.
The colour blue separates the colours red and yellow from brown and green. The yellow is similar to gold. Red used to belong to the most expensive colours. Green is also the colour of mould and brown is the colour which at first appears to be inert.
The candle is helping the poor man to find sense and the distant path, as far as he is aware of them.
11: Overall relationship between persons #2 and #3
The many different types of mushrooms fascinate the princess. Each one of them is like a precious stone. She collects everything she finds without considering what to do with them. As one can see, some of the mushrooms are poisonous. Her curiosity and openness can also be a danger to her.
She is in the country. The busy mice look like friends or brothers and sisters.
12: Overall relationship between persons #1 and #3
The pentahedral star in the picture shows how the four elements, which appear in the four lower rays, come into contact with spiritualism. This is represented in the uppermost point by God's eye, in the iris of which the Wheel of Fortune is alluded to. The violet background underlines the principle of spiritualism.
The labyrinth in the middle of the star points to the search for the meaning, which by way of the heart is also a search for the centre. The two hands at the top represent the obvious (exoteric) and the concealed (esoteric). The praying hands at the bottom symbolise the pupil.
13: Overall 3-way Relationship
The sprouting seed refers to actual growth. The heart leads two ends together into a point. The house offers an outward protection for a partnership for life.
The child (small hand) shows itself as being an actual product of its parents' love. The snake suggests that the child will carry this cycle on, one day, as a parent.
