The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
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1: Person #1
The picture has the effect of being rather poor and harsh. The blue colours represent coolness, but due to the red and yellow one can sense a certain energy, which also appears in Aries' head at the corner of the throne, connected astrologically with the Emperor.
The card's number four, which also represents the element earth, can be found in the house in the square of rocks and the crown also shows four spikes and four stones. Further symbols of the Emperor are an orb (symbol of world dominion) and a form of sceptre (symbol of materialism in life).
2: Person #2
Three swords are holding a violet cauldron, under which a fire is burning. Something is being "extracted". The violet colour indicates a spiritual process. The sun is setting; nothing more will happen today. To sleep on it will help.
Tomorrow it might be possible to grasp the fourth sword and to take the right path in further conflicts. The path past the white flag is also possible.
3: Person #3
The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.
The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.
The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.
4: Person #1's view of #2
The colours red, blue and gray are all mixed together in this scene. Clarity fills the whole picture, but the emotions also play a role. The ten wands in the background are all mixed up.
A cloud obscures or overshadows the scene. The two drops of water show condensation, as the cloud is being influenced by the sword. These drops also represent tears.
The three swords point to a spot on the heart. It is unclear whether they are damaging it, yet one can see a drop of blood.
5: Person #2's view of #3
This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.
The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.
6: Person #3's view of #1
The middle sword divides the scene. It symbolises disconnection in itself and is the only one that has remained whole.
The 'winner's' sword, decorated with a laurel wreath, seems to be less bent than that of the 'loser', but it is also unusable. The pierced heart shows the 'loser's' certainty of having injured his enemy in the worst possible way.
The dark colours in the picture show that it is a matter of something unpleasant. The energetic connection, portrayed by the waves at the top and bottom, has been cut off.
7: Person #2's view of #1
Three cups are spilling their contents. The other two are collecting what is lost, suggesting that nothing can really be lost. Nevertheless, the spill is important so that a change can take place.
The tower and the star refer to the cards, which are following the devil, which is related to the five cups. The flames in the tower can be understood as a heart. If the observer turns round, he will take the path in the right direction and will not look back.
8: Person #3's view of #2
The queen is holding the butterfly carefully on her lap. At the same time, she is showing the detached chain and is banishing the black butterfly to the guillotine.
The blood on the ground shows clearly that the apparatus has already been used. She does not look callous; instead, she looks grievous and resolute. Her collar, studded with 15 precious stones, indicates she is sometimes struck dumb by little devils, the result of painful experiences.
9: Person #1's view of #3
The orangey-yellow colour of the picture symbolises fire; the green colour portrays fertility and growth. The sunflowers also testify a connection between energy and growth.
The throne gives the impression of a sun-queen; the creases on her skirt point to sexual energy, her red hair is tied back. The black cat, with its back to us, stands for independence and magic powers. There is a precious stone on the queen's crown, this connects her to the magician's figure one.
10: Overall relationship between persons #1 and #2
The swords look like a cage. The eye is closed; it is looking into the inner vision; it is trying not to be aware of its own feelings. Some of the fingers are being dipped in the water; there is already contact here. The colours blue and pink show the strong contrast between understanding and emotions, which are trying clear the way for themselves.
11: Overall relationship between persons #2 and #3
The swords look like teeth, which at any moment could bite. The hands are held up for protection. The eye wants to open, but its vision is obstructed.
The waning moon emphasises the existing fear. The sunrise is at hand. Roses promise development, joy of life and the coming forth of emotions in the near future.
12: Overall relationship between persons #1 and #3
She looks suspicious, she is holding her sword, ready for action. She needs to be at a distance from the castle, which is too near, but she wants to feel this nearness. The three swords in the heart above her point to injuries.
She does not seem to enjoy the beauty of the two flowers, the heads of which she has just cut off. She will perhaps be sorry later. Her books are sacred and she also writes down her thoughts. One can imagine how beautiful her hair is, which she has not completely hidden under her helmet.
13: Overall 3-way Relationship
The picture shows a closed eye. A lot is still taking place inwardly. The heart and water in a way are being crossed out. Emotions have to be left out for the moment.
The varying thoughts seem to influence one another. Both hands are open. Each thought is equally valuable at the moment.
