The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
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P#1 |  |
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||
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1: Person #1
The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.
The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.
2: Person #2
The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.
The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.
The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.
3: Person #3
The many different types of mushrooms fascinate the princess. Each one of them is like a precious stone. She collects everything she finds without considering what to do with them. As one can see, some of the mushrooms are poisonous. Her curiosity and openness can also be a danger to her.
She is in the country. The busy mice look like friends or brothers and sisters.
4: Person #1's view of #2
The picture is based on a classical presentation. The alternation is portrayed by the changing of the green and yellow colours and in addition through the movement the snake makes around the two pentacles, fashioned in the circle of colours. This appeals to a repetition of experiences. The double loop relates to our entire path through life.
5: Person #2's view of #3
The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.
The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.
6: Person #3's view of #1
The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.
He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.
7: Person #2's view of #1
Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.
The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.
8: Person #3's view of #2
Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.
The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.
9: Person #1's view of #3
The rich man is reaching over the wall and giving away the surplus of his material goods. The poor man is giving something back; it is unclear how. There is a candle on the side of the rich man, which was concealed on the Five of Pentacles. An unbroken circle of energy emerges.
10: Overall relationship between persons #1 and #2
The fluid in the tipped-up cups is combined with the fluid in the sixth cup to form a circle, the upper part of which seems brighter. The book with the title 'Memories' stands for achieved consciousness. The seed is germinating under the influence of other components and shows a new beginning.
11: Overall relationship between persons #2 and #3
The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).
The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.
12: Overall relationship between persons #1 and #3
She looks suspicious, she is holding her sword, ready for action. She needs to be at a distance from the castle, which is too near, but she wants to feel this nearness. The three swords in the heart above her point to injuries.
She does not seem to enjoy the beauty of the two flowers, the heads of which she has just cut off. She will perhaps be sorry later. Her books are sacred and she also writes down her thoughts. One can imagine how beautiful her hair is, which she has not completely hidden under her helmet.
13: Overall 3-way Relationship
The orangey yellow colour of the picture emphasises energy and liveliness. A wand is growing out of the ground. Liveliness grows out of stability, which gives security and nutrition.
The leaf indicates slow change, but the fire indicates a definite basic change and dissolving of processes. The heart, which seems to be inside the flame, pronounces love' passion. Energy-rays are hinted at through the wand's aura. The field of corn in the background gives a further reference to growth and fertility.
