The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
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1: Person #1
The orangey-yellow colour of the picture symbolises fire; the green colour portrays fertility and growth. The sunflowers also testify a connection between energy and growth.
The throne gives the impression of a sun-queen; the creases on her skirt point to sexual energy, her red hair is tied back. The black cat, with its back to us, stands for independence and magic powers. There is a precious stone on the queen's crown, this connects her to the magician's figure one.
2: Person #2
The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.
The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.
3: Person #3
The two faces and the two cups seem together to form an entirety. The difference between them is shown, among other things, through the colours, which, in each case, mirror the opposite.
Two fish in the water also suggest dualism in the unity. In the same way, the heart at the top, made of two parts, becomes one at the bottom. The suggestion of an angel above the heads supports the same theme.
4: Person #1's view of #2
Three swords are holding a violet cauldron, under which a fire is burning. Something is being "extracted". The violet colour indicates a spiritual process. The sun is setting; nothing more will happen today. To sleep on it will help.
Tomorrow it might be possible to grasp the fourth sword and to take the right path in further conflicts. The path past the white flag is also possible.
5: Person #2's view of #3
The swords look like teeth, which at any moment could bite. The hands are held up for protection. The eye wants to open, but its vision is obstructed.
The waning moon emphasises the existing fear. The sunrise is at hand. Roses promise development, joy of life and the coming forth of emotions in the near future.
6: Person #3's view of #1
By winking, the prince is trying to make the marshy spot more attractive for a bathe. The content of his cup doesn't look like water. The sun brightens the scene, although the first cloud has already appeared.
7: Person #2's view of #1
Wealth and poverty are separated by a wall. The rich man is wearing white gloves. He doesn't want to get his fingers dirty. The poor man has a missing middle-finger, the centre has been lost. His stick is brittle.
The colour blue separates the colours red and yellow from brown and green. The yellow is similar to gold. Red used to belong to the most expensive colours. Green is also the colour of mould and brown is the colour which at first appears to be inert.
The candle is helping the poor man to find sense and the distant path, as far as he is aware of them.
8: Person #3's view of #2
The fluid in the tipped-up cups is combined with the fluid in the sixth cup to form a circle, the upper part of which seems brighter. The book with the title 'Memories' stands for achieved consciousness. The seed is germinating under the influence of other components and shows a new beginning.
9: Person #1's view of #3
The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.
The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.
10: Overall relationship between persons #1 and #2
The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.
The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.
11: Overall relationship between persons #2 and #3
The rich man is reaching over the wall and giving away the surplus of his material goods. The poor man is giving something back; it is unclear how. There is a candle on the side of the rich man, which was concealed on the Five of Pentacles. An unbroken circle of energy emerges.
12: Overall relationship between persons #1 and #3
The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.
The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.
13: Overall 3-way Relationship
The orangey yellow colour of the picture emphasises energy and liveliness. A wand is growing out of the ground. Liveliness grows out of stability, which gives security and nutrition.
The leaf indicates slow change, but the fire indicates a definite basic change and dissolving of processes. The heart, which seems to be inside the flame, pronounces love' passion. Energy-rays are hinted at through the wand's aura. The field of corn in the background gives a further reference to growth and fertility.
