The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
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||
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1: Person #1
A fourth cup, which, does not really want to fit in the well-balanced harmony of the other three, joins the three cups. The hand with its intensive colour shows the rejection it experiences. The fourth fish is green, as though it felt ill. Altogether the colours are lighter than those of the Three of Cups.
2: Person #2
The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.
The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.
3: Person #3
The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.
The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.
The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.
4: Person #1's view of #2
The picture is based on a classical presentation. The alternation is portrayed by the changing of the green and yellow colours and in addition through the movement the snake makes around the two pentacles, fashioned in the circle of colours. This appeals to a repetition of experiences. The double loop relates to our entire path through life.
5: Person #2's view of #3
The bright colours symbolise many possibilities. The Fool is holding the pilgrim's staff in his hand. Water and fish indicate openness and vivacity. The butterflies also indicate different ideas and a joy of living.
The golden yellow background gives the scene energy of life. One can see the tip of the Fool's cap. The cross, or rather the handle of the sword in the background, gives an awareness of danger, which is lurking along the path the Fool is going to take.
6: Person #3's view of #1
The eye is the same as that on the Magician's card, but the wish to develop is not portrayed any more. The oval wreath suggests the unification of polarities, as with the Lovers, but here the unification actually takes place.
The symbols for the four elements are collected around the oval and are reconcilably united together. The blue colour of the background symbolises consciousness and clarity.
7: Person #2's view of #1
The fluid in the tipped-up cups is combined with the fluid in the sixth cup to form a circle, the upper part of which seems brighter. The book with the title 'Memories' stands for achieved consciousness. The seed is germinating under the influence of other components and shows a new beginning.
8: Person #3's view of #2
The world seems to be a wallowing in the emotions for the queen. The waves in the background seem to be carrying her throne, which she clearly seems to be enjoying. The moon and the stars portray the light that she intuitively or indirectly sees.
The instrument she is holding under her right arm allows her to express her inspirations and to hand them on to others. She could also be an artist.
9: Person #1's view of #3
Six trees have been felled in a forest, which couldn't be entered and be used, because the trees were growing in all directions. They are lying to the left-hand side of the path, which is now free to let in light, causing new leaves to sprout.
The wood from the forest has been used to melt down the iron for an axe, to turn a style and therefore to create a significant relationship between growth and order.
10: Overall relationship between persons #1 and #2
The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.
He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.
11: Overall relationship between persons #2 and #3
The sword is rising out of the water. The blue colour in the picture symbolises clarity. The three different coloured butterflies indicate different thoughts and the perception of difference. One butterfly is sitting on the tip of the sword, a symbol of decision. The halo supports the impression of clarification and purification.
12: Overall relationship between persons #1 and #3
The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.
The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.
13: Overall 3-way Relationship
The orangey yellow colour of the picture emphasises energy and liveliness. A wand is growing out of the ground. Liveliness grows out of stability, which gives security and nutrition.
The leaf indicates slow change, but the fire indicates a definite basic change and dissolving of processes. The heart, which seems to be inside the flame, pronounces love' passion. Energy-rays are hinted at through the wand's aura. The field of corn in the background gives a further reference to growth and fertility.
