Three-Card Spread

Three-Card Spread

 

 

Difficulty: Very easy

This simplistic chronological spread can be used to shed light on the influences that have passed, current influences, and what is approaching in the near future. Not much explanation is necessary for this simple tarot spread.

 

 

 

 

 

 

 

 

Your Three-Card Reading

The Past

9 of Cups
The Present

Prince of Swords
The Future

Judgement

 

 

 

 

The Past

9 of Cups

The content of the nine cups is being poured over the picture and meets in a whirlpool in the middle. Three colours refer to the number three, out of which the number nine (3x3) exists. Notes (music/art), grapes (food/drink) and a heart (love/friendship) stand for areas which contain pleasure and well-being.

The colour red points to warmth, blue symbolises refreshment. The colour green can be understood as referring to a negative aspect on the card e.g., exaggerated personal pleasure.

 

 

 

 

The Present

Prince of Swords

The strong helmet protects the prince, while, with eyes closed and head bent forward, he is demolishing the hard wall. Some bricks are falling down. A part of the wall looks like a bookcase.

This is all about ancient knowledge and opinions, the details of which are being asked about or, in the truest sense of the word, which are being blown into mid-air. However, with his eyes closed the prince cannot take into consideration what he is throwing around.

 

 

 

 

 

 

 

 

 

 

 

The Future

Judgement

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.

 

 

 

 

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