The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
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P#1 |  |
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1: Person #1
The distinction between this card and some of the conventional types is that the moon is increasing on what is called the side of mercy, to the right of the observer. It has sixteen chief and sixteen secondary rays. The card represents life of the imagination apart from life of the spirit. The path between the towers is the issue into the unknown. The dog and wolf are the fears of the natural mind in the presence of that place of exit, when there is only reflected light to guide it.
The last reference is a key to another form of symbolism. The intellectual light is a reflection and beyond it is the unknown mystery which it cannot shew forth. It illuminates our animal nature, types of which are represented below – the dog, the wolf and that which comes up out of the deeps, the nameless and hideous tendency which is lower than the savage beast. It strives to attain manifestation, symbolised by crawling from the abyss of water to the land, but as a rule it sinks back whence it came. The face of the mind directs a calm gaze upon the unrest below; the dew of thought falls; the message is: Peace, be still; and it may be that there shall come a calm upon the animal nature, while the abyss beneath shall cease from giving up a form.
Reversed Meaning:
Instability, inconstancy, silence, lesser degrees of deception and error.
2: Person #2
A ferryman carrying passengers in his punt to the further shore. The course is smooth, and seeing that the freight is light, it may be noted that the work is not beyond his strength.
Reversed Meaning:
Declaration, confession, publicity; one account says that it is a proposal of love.
3: Person #3
A man oppressed by the weight of the ten staves which he is carrying.
Reversed Meaning:
Contrarieties, difficulties, intrigues, and their analogies.
4: Person #1's view of #2
In a scene similar to the former, a young man stands in the act of proclamation. He is unknown but faithful, and his tidings are strange.
Reversed Meaning:
Anecdotes, announcements, evil news. Also, indecision and the instability which accompanies it.
5: Person #2's view of #3
Appearance of Cups in a rainbow; it is contemplated in wonder and ecstasy by a man and woman below, evidently husband and wife. His right arm is about her; his left is raised upward; she raises her right arm. The two children dancing near them have not observed the prodigy but are happy after their own manner. There is a home-scene beyond.
Reversed Meaning:
Repose of the false heart, indignation, violence.
6: Person #3's view of #1
The effigy of a knight in the attitude of prayer, at full length upon his tomb.
Divinatory Meaning:
Vigilance, retreat, solitude, hermit's repose, exile, tomb and coffin. It is these last that have suggested the design.
7: Person #2's view of #1
A young man is seated under a tree and contemplates three cups set on the grass before him; an arm issuing from a cloud offers him another cup. His expression notwithstanding is one of discontent with his environment.
Reversed Meaning:
Novelty, presage, new instruction, new relations.
8: Person #3's view of #2
Two mendicants in a snow-storm pass a lighted casement.
Reversed Meaning:
Disorder, chaos, ruin, discord, profligacy.
9: Person #1's view of #3
Strange chalices of vision, but the images are more especially those of the fantastic spirit.
Reversed Meaning:
Desire, will, determination, project.
10: Overall relationship between persons #1 and #2
An erect and princely figure carrying a drawn sword and corresponding, broadly speaking, to the traditional description which I have given in the first part. On the shoulders of the victorious hero are supposed to be the Urim and Thummim. He has led captivity captive; he is conquest on all planes – in the mind, in science, in progress, in certain trials of initiation. He has thus replied to the sphinx, and it is on this account that I have accepted the variation of Eliphas Levi; two sphinxes thus draw his chariot. He is above all things triumph in the mind.
It is to be understood for this reason (a) that the question of the sphinx is concerned with a Mystery of Nature and not of the world of Grace, to which the charioteer could offer no answer; (b) that the planes of his conquest are manifest or external and not within himself; (c) that the liberation which he effects may leave himself in the bondage of the logical understanding; (d) that the tests of initiation through which he has passed in triumph are to be understood physically or rationally; and (e) that if he came to the pillars of that Temple between which the High Priestess is seated, he could not open the scroll called Tora, nor if she questioned him could he answer. He is not hereditary royalty and he is not priesthood.
Reversed Meaning:
Riot, quarrel, dispute, litigation, defeat.
11: Overall relationship between persons #2 and #3
The design is an accommodation, mean or harmony, between several motives mentioned in the first part. The Horned Goat of Mendes, with wings like those of a bat, is standing on an altar. At the pit of the stomach there is the sign of Mercury. The right hand is upraised and extended, being the reverse of that benediction, which is given by the Hierophant in the fifth card. In the left hand there is a great flaming torch, inverted towards the earth. A reversed pentagram is on the forehead. There is a ring in front of the altar, from which two chains are carried to the necks of two figures, male and female. These are analogous with those of the fifth card, as if Adam and Eve after the Fall. Hereof is the chain and fatality of the material life.
The figures are tailed, to signify the animal nature, but there is human intelligence in the faces, and he who is exalted above them is not to be their master for ever. Even now, he is also a bondsman, sustained by the evil that is in him and blind to the liberty of service. With more than his usual derision for the arts which he pretended to respect and interpret as a master therein, Eliphas Levi affirms that the Baphometic figure is occult science and magic. Another commentator says that in the Divine world it signifies predestination, but there is no correspondence in that world with the things which below are of the brute. What it does signify is the Dweller on the Threshold without the Mystical Garden when those are driven forth therefrom who have eaten the forbidden fruit.
Divinatory Meaning:
Ravage, violence, vehemence, extraordinary efforts, force, fatality; that which is predestined but is not for this reason evil.
12: Overall relationship between persons #1 and #3
The gallows from which he is suspended forms a Tau cross, while the figure – from the position of the legs – forms a fylfot cross. There is a nimbus about the head of the seeming martyr. It should be noted (1) that the tree of sacrifice is living wood, with leaves thereon; (2) that the face expresses deep entrancement, not suffering; (3) that the figure, as a whole, suggests life in suspension, but life and not death. It is a card of profound significance, but all the significance is veiled. One of his editors suggests that Eliphas Levi did not know the meaning, which is unquestionable nor did the editor himself. It has been called falsely a card of martyrdom, a card of prudence, a card of the Great Work, a card of duty; but we may exhaust all published interpretations and find only vanity. It expresses the relation, in one of its aspects, between the Divine and the Universe.
He who can understand that the story of his higher nature is imbedded in this symbolism will receive intimations concerning a great awakening that is possible, and will know that after the sacred Mystery of Death there is a glorious Mystery of Resurrection.
Divinatory Meaning:
Wisdom, circumspection, discernment, trials, sacrifice, intuition, divination, prophecy.
13: Overall 3-way Relationship
A youth and maiden are pledging one another, and above their cups rises the Caduceus of Hermes, between the great wings of which there appears a lion's head. It is a variant of a sign which is found in a few old examples of this card. Some curious emblematical meanings are attached to it, but they do not concern us in this place.
Reversed Meaning:
Love, passion, friendship, affinity, union, concord, sympathy, the interrelation of the sexes, and – as a suggestion apart from all offices of divination – that desire which is not in Nature, but by which Nature is sanctified.
