The Three Pyramids Spread
Difficulty: Complicated
Basically, there is the main pyramid in the centre, and two smaller pyramids on each side. One is inverted.
Positions 1 & 3 represent where the reader comes from, or what has made them/shaped them on the various levels. Can be from environment, upbringing, schooling, etc. A look at the past, but with more objectivity than is usually given when using tarot cards.
Positions 4 & 5 represent who the reader is right now. May or may not make pleasant reading, but hey, this is what this is about, right?
Position 6 represents who the reader could be. Again, it might or might not look good, but a person can learn from that and change who they are accordingly. (This is a bit like how Scrooge did things in 'A Christmas Carol'.)
Positions 7 & 8 are the reader's strengths. This is the light they have, which can be bought to the forefront. What carries the person should not be hidden or unacknowledged.
Position 9 represents what should be given to oneself or created within.
Position 10 & 11 represent personal areas for development or weaknesses. Again, might not make good reading, but if someone looks at their strengths first, they will be able to see a balance is there and can choose to focus on one side or the other. This is where a person could really see how their shadow side comes into play.
Position 12 represents what the reader should be offering externally, or what they can bring to their world or to others who inhabit that world.
Your Three Pyramids Reading
Strength #1 |
Strength #2 |
 |
Exhibit |
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Nurture This |
Potential |
Infirmity #1 |
Infirmity #2 |
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Now #1 |
Now #2 |
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Base (past) #1 |
Base (past) #2 |
Base (past) #3 |
1: Base #1
Stone is hard and sand is soft, yet one can erode the other in time and fundamentally, both are the exact same thing. Odd that the smaller of the two can destroy the larger and make it more like itself. Also note the Wolfs angle rune.
2: Base #2
If you're stuck, the first step to freedom is to examine what's holding you in place.
3: Base #3
The most valuable things in the world are worthless if you throw them down the drain. And yes, those are Zebetites.
4: Where you are now #1
AKA Justice in traditional Tarot.
Not the scales of a common religious moralist and no longer a cardinal virtue, but the raw, heartless justice of nature.
5: Where you are now #2
There is nothing that can't be destroyed by a powerful enough weapon, but be sure you have the right weapon for the job.
6: Your potential
2:00 – Card 10
AKA The Wheel of Fortune in traditional Tarot. Female, Air, Gemini.
Symbolic of fate, and what is fate but change? Everything changes in time; change is the only constant. What one cannot control one must predict, and act in accordance with. Opposition to the inevitable yields only pain.
7: Strength #1
12:00 – Card 11
AKA The Priestess in traditional Tarot. Female, Fire, Leo.
The master of events, the shaper of destiny, the will in action. The opposite of the fool, the Sorceress is active, in control. Aware instead of ignorant, wise instead of apathetic. A goddess, for the only gods that exist are men and women who make deities of themselves.
8: Strength #2
11:00 – Card 9
AKA The Devil in traditional Tarot. Female, Fire, Capricorn.
Predators, perpetrators, the strong over the weak. They are movers and manipulators of fate, but always at each other’s throats. Time devours its own children and this is the card of that act, for time itself is only a continuum, it's really time's children that devour each other.
9: Nurture this
A wand is a means to a magical end. If you don't like what you're seeing, use yours to change the channel.
10: Weakness #1
Based on Canova's Three Graces. And don't say there's nothing to do in the Doldrums. Time spent doing nothing isn't wasted if it was enjoyed, only if it was miserable boredom.
11: Weakness #2
When you order people to do something, be certain that your orders are clear.
12: Behavior to exhibit
An Homage to Kurosawa. Seven swords belonging to seven Samurai.
In a realistic movie, even masters can die, and life has a tendency to move like the most implausible plot.
