The Love Triangle Spread

Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3![]() |
2to3 | P#2 | ||
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| 1+3 | ![]() |
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1to2 | ![]() |
1+2 |
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P#1 | ![]() |
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1: Person #1

'And one of the elders saith unto me, Weep not: behold, the Lion of the tribe of Judah, the Root of David, hath prevailed to open the book, and to loose the seven seals thereof'. –Rev 5:5
2: Person #2

Two wands to keep them rowing in circles past death, one wand to put an end to it.
3: Person #3

Chaos is dangerous to both belligerents. If you have all the arms and all the thorns in the world, you're just as much a danger to yourself if you don't keep track of them.
4: Person #1's view of #2

Don't overlook a good solution just because it's obvious.
5: Person #2's view of #3

'It's hard to fill a cup that's already full'. –James Cameron, Avatar. What fills your cup? If you like what's there don't let the nightmares in. But if you want to learn more, you have to spill your past preconceptions.
6: Person #3's view of #1

A fencing mask on a skeleton with a cadeceus over a black sun before fire. Refer to the symbolic meaning of each to find the answers you seek.
7: Person #2's view of #1

8:00 – Card 1
AKA Temperance in the traditional Tarot. Male, Earth, Scorpio.
Stagnation, nothing moves, nothing changes. Barriers block every effort to improve or change, not that rock has anywhere to go. The elements and life move around it, grow from it, decay upon it, but it goes nowhere.
8: Person #3's view of #2

You can prefer quality over quantity or quantity over quality, but both are valid for different applications. Sometimes a lot of cheap crap does the job, sometimes fewer of the finest is better. Know which is which and don't mistake the two. When in doubt, go with tons of the best.
9: Person #1's view of #3

In this case King Sargon of Akkad. A great ruler in his own time rarely even makes the history books in ours.
10: Overall relationship between persons #1 and #2

If you're stuck, the first step to freedom is to examine what's holding you in place.
11: Overall relationship between persons #2 and #3

The coronation of the nuclear bomb. It's the sword that can annihilate a city, a few of them can end the world. It's a weapon so deadly that its mere existence changed the way mankind thinks of war. It's the point at which humankind's means finally exceeded its goals. 1945 was the end of one world and the birth of a new.
12: Overall relationship between persons #1 and #3

An homage to Bosch and Bruegel, and a card symbolic of victory to the well-armed and pain to the unprepared or unwilling to defend.
13: Overall 3-way Relationship

An Homage to Kurosawa. Seven swords belonging to seven Samurai.
In a realistic movie, even masters can die, and life has a tendency to move like the most implausible plot.