The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Your Love Triangle Reading
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
 |
3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
 |
 |
P#1 |  |
 |
||
 |
1: Person #1
9:00 – Card 6
Male, Air, Sagittarius.
Ceration is the alchemical act of adding a liquid to the substance while heated, yielding a softer substance with a wax-like texture. Not to be confused with alchemical union, but an important step toward it.
2: Person #2
A whole lot of cargo looks minimal when it's loaded onto a gigantic ship. This applies to more than one might expect.
3: Person #3
6:00 – Card 0
Male, Water, Pisces.
Ignorance is a trait of the most basic. To let the currents of time and fate dictate one's actions completely, to seek the lowest, easiest path will lead one downwards. One's hunger will destroy what's beautiful, resulting in the squandering of things put to better use.
4: Person #1's view of #2
A wand is a means to a magical end. If you don't like what you're seeing, use yours to change the channel.
5: Person #2's view of #3
Money is the king of all motivators. There is nothing in this world enough money can't buy. The people who tell you otherwise clearly don't have enough of it.
6: Person #3's view of #1
The means may be grotesque, but if they get you what you want you'd do well to use them.
7: Person #2's view of #1
D cups in this case. Don't be ashamed to enjoy your vices, and never regret the sins you enjoy.
8: Person #3's view of #2
Thank you Mario, but your princess is in another castle. Besides, this one's blocked by a cypress tree fence. Lofty goals are nothing if you can't get to them.
9: Person #1's view of #3
Don't overlook a good solution just because it's obvious.
10: Overall relationship between persons #1 and #2
Classic iconography. Classic significance: Absolute destruction.
11: Overall relationship between persons #2 and #3
Chaos is dangerous to both belligerents. If you have all the arms and all the thorns in the world, you're just as much a danger to yourself if you don't keep track of them.
12: Overall relationship between persons #1 and #3
Read 'The Ingenious Hidalgo Don Quixote of La Mancha', preferably the edition with illustrations by Gustav Dore. At the very least see the play 'Man of La Mancha'.
Mock what lunatics you may, but at some point you've been the fool too, and fools, whatever else they are, are also the best dreamers.
13: Overall 3-way Relationship
An homage to David Lynch. I don't know what divinatory meaning you might get out of a cowboy duel in a kitchen sink, but please do let me know if you find one.
Traditionally, it means romantic change is coming. If you're smart about it, for the better.
