Cross Spread

Difficulty: Easy
The Cross Spread is good for questions asking for advice. It can also be used to determine the meaning of a confusing card from a previous reading, or for that matter, to shed light on other points of confusion.
In questions asking advice, this tarot spread is self-explanatory. The main thing is to determine the difference between cards #2 and #3. #1 is the topic and #4 is the result.
In questions regarding confusion, such as: "What was the meaning of Card (X) in the last spread?" the main thing is also to determine the difference between cards #2 and #3. In this case, #2 will show what the card was not referring to, and Card #3 will show what was really meant. Card #1 is the topic and #4 represents the purpose it serves.
Your Cross Tarot Reading with the Book of Thoth
DO This![]() Ace of Swords |
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It Deals with This![]() 2 of Cups |
Do NOT Do This![]() 3 of Swords |
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It Leads to This![]() 4 of Swords |
It Deals with This
2 of Cups
Venus in Cancer – Love
The Two always represents the Word and the Will. It is the first manifestation. Therefore, in the suit of Water, it must refer to Love, which recovers unity from dividuality by mutual annihilation. The card also refers to Venus in Cancer. Cancer is, more than any other, the receptive Sign; it is the House of the Moon, and in that Sign Jupiter is exalted. These are, superficially, the three most friendly of the planets.
The hieroglyph of the card represents two cups in the foreground, overflowing upon a calm sea. They are fed with lucent water from a lotus floating upon the sea, from which rises another lotus around whose stem are entwined twin dolphins.
The number Two referring to Will, this card might really be renamed the Lord of Love under Will, for that is its full and true meaning. It shows the harmony of the male and the female: interpreted in the largest sense. It is perfect and placid harmony, radiating an intensity of joy and ecstasy.
Do NOT Do This
3 of Swords
Saturn in Libra – Sorrow
This card is dark and heavy; it is, so to speak, the womb of Chaos. There is an intense lurking passion to create, but its children are monsters. This may mean the supreme transcendence of the natural order. Secrecy is here, and Perversion.
The symbol represents the great Sword of the Magician, point uppermost; it cuts the junction of two short curved swords. The impact has destroyed the rose. In the background, storm broods under implacable night.
DO This
Ace of Swords
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.
It Leads to This
4 of Swords
Jupiter in Libra – Truce
Chesed refers to Jupiter who rules in Libra in this decanate. The sum of these symbols is therefore without opposition; hence the card proclaims the idea of authority in the intellectual world. It is the establishment of dogma, and law concerning it. It represents a refuge from mental chaos, chosen in an arbitrary manner. It argues for convention.
The hilts of the four Swords are at the corner of a St. Andrew's cross. Their shape suggests fixation and rigidity. Their points are sheathed – in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.
Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalised by foetid stench. But it has to be done!