Cross Spread

Cross Spread

 

 

Difficulty: Easy

The Cross Spread is good for questions asking for advice. It can also be used to determine the meaning of a confusing card from a previous reading, or for that matter, to shed light on other points of confusion.

In questions asking advice, this tarot spread is self-explanatory. The main thing is to determine the difference between cards #2 and #3. #1 is the topic and #4 is the result.

In questions regarding confusion, such as: "What was the meaning of Card (X) in the last spread?" the main thing is also to determine the difference between cards #2 and #3. In this case, #2 will show what the card was not referring to, and Card #3 will show what was really meant. Card #1 is the topic and #4 represents the purpose it serves.

 

 

 

 

 

 

 

 

Your Cross Tarot Reading with the Book of Thoth

  DO This

2 of Cups
 
It Deals with This

5 of Swords
  Do NOT Do This

4 of Swords
  It Leads to This

Prince of Swords
 

 

 

 

 

It Deals with This

5 of Swords

Venus in Aquarius – Defeat

The intellect has been enfeebled by sentiment. The defeat is due to pacifism. Treachery also may be implied.

The hilts of the swords form the inverted pentagram, always a symbol of somewhat sinister tendency. Here matters are even worse; none of the hilts resembles any of the others, and their blades are crooked or broken. They give the impression of drooping; only the lowest of the swords points upwards, and this is the least effective of the weapons. The rose of the previous card has been altogether disintegrated.

 

 

 

 

Do NOT Do This

4 of Swords

Jupiter in Libra – Truce

Chesed refers to Jupiter who rules in Libra in this decanate. The sum of these symbols is therefore without opposition; hence the card proclaims the idea of authority in the intellectual world. It is the establishment of dogma, and law concerning it. It represents a refuge from mental chaos, chosen in an arbitrary manner. It argues for convention.

The hilts of the four Swords are at the corner of a St. Andrew's cross. Their shape suggests fixation and rigidity. Their points are sheathed – in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.

Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalised by foetid stench. But it has to be done!

 

 

 

 

DO This

2 of Cups

Venus in Cancer – Love

The Two always represents the Word and the Will. It is the first manifestation. Therefore, in the suit of Water, it must refer to Love, which recovers unity from dividuality by mutual annihilation. The card also refers to Venus in Cancer. Cancer is, more than any other, the receptive Sign; it is the House of the Moon, and in that Sign Jupiter is exalted. These are, superficially, the three most friendly of the planets.

The hieroglyph of the card represents two cups in the foreground, overflowing upon a calm sea. They are fed with lucent water from a lotus floating upon the sea, from which rises another lotus around whose stem are entwined twin dolphins.

The number Two referring to Will, this card might really be renamed the Lord of Love under Will, for that is its full and true meaning. It shows the harmony of the male and the female: interpreted in the largest sense. It is perfect and placid harmony, radiating an intensity of joy and ecstasy.

 

 

 

 

 

 

 

 

 

 

 

It Leads to This

Prince of Swords

Aquarius

This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.

The operation of his logical mental processes has reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolised is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.

 

 

 

 

 

 

 

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