Cross Spread
Difficulty: Easy
The Cross Spread is good for questions asking for advice. It can also be used to determine the meaning of a confusing card from a previous reading, or for that matter, to shed light on other points of confusion.
In questions asking advice, this tarot spread is self-explanatory. The main thing is to determine the difference between cards #2 and #3. #1 is the topic and #4 is the result.
In questions regarding confusion, such as: "What was the meaning of Card (X) in the last spread?" the main thing is also to determine the difference between cards #2 and #3. In this case, #2 will show what the card was not referring to, and Card #3 will show what was really meant. Card #1 is the topic and #4 represents the purpose it serves.
Your Cross Tarot Reading with the Book of Thoth
DO This Queen of Swords |
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It Deals with This 4 of Swords |
Do NOT Do This Queen of Cups |
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It Leads to This The Hanged Man |
It Deals with This
4 of Swords
Jupiter in Libra – Truce
Chesed refers to Jupiter who rules in Libra in this decanate. The sum of these symbols is therefore without opposition; hence the card proclaims the idea of authority in the intellectual world. It is the establishment of dogma, and law concerning it. It represents a refuge from mental chaos, chosen in an arbitrary manner. It argues for convention.
The hilts of the four Swords are at the corner of a St. Andrew's cross. Their shape suggests fixation and rigidity. Their points are sheathed – in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.
Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalised by foetid stench. But it has to be done!
Do NOT Do This
Queen of Cups
Cancer
The Queen of Cups represents the watery part of Water, its power of reception and reflection. She reflects the nature of the observer in great perfection. She is represented as enthroned upon still water. In her hand she bears a shell-like cup, from which issues a crayfish, and she bears also the Lotus of Isis, of the Great Mother. She is robed in, and veiled by, endless curves of light, and the sea upon which she is enthroned conveys the almost unbroken images of the image which she represents.
The characteristics associated with this card are principally dreaminess, illusion and tranquillity. She is the perfect agent and patient, able to receive and transmit everything without herself being affected thereby. If ill-dignified, all these qualities are degraded. Everything that passes through her is refracted and distorted. But, speaking generally, her characteristics depend mostly upon the influences which affect her.
DO This
Queen of Swords
Libra
The Queen of Swords represents the watery part of Air, the elasticity of that element, and its power of transmission. She is enthroned upon the clouds. Her helmet is crested by the head of a child, and from it stream sharp rays of light, illuminating her empire of celestial dew. In her right hand, she bears a sword; in her left hand, the newly severed head of a bearded man. She is the clear, conscious perception of Idea, the Liberator of the Mind.
The person symbolised by this card should be intensely perceptive, a keen observer, a subtle interpreter, an intense individualist, swift and accurate at recording ideas; in action confident, in spirit gracious and just. Her movements will be graceful, and her ability in dancing and balancing exceptional. If ill-dignified, these qualities will all be turned to unworthy purposes. She will be cruel, sly, deceitful and unreliable; in this way, very dangerous, on account of the superficial beauty and attractiveness which distinguish her.
It Leads to This
The Hanged Man
Water
Enforced sacrifice, punishment, loss, fatal or voluntary, suffering, defeat, failure, death.
