The Golden Dawn or Thoth Method

Difficulty: Complicated
Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.
The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.
In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.
As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.
Card #1 represents the reader and the nature of the topic at hand.
Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.
The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.
Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.
Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.
Your Golden Dawn Tarot Reading with the Book of Thoth
| The Alternate Path (or Extension of Current Path) |
Your Current Path |
|||||
The Aeon |
2 of Wands |
7 of Swords |
7 of Cups |
The Emperor |
6 of Cups |
|
| The Querent | ||||||
5 of Swords |
Princess of Disks |
The Sun |
||||
| The Psychological Basis | Karma | |||||
8 of Cups |
Ace of Swords |
Death |
The Hermit |
4 of Wands |
Princess of Cups |
|
The Querent
cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.

The Princess of Disks represents the earthy part of Earth. She is consequently on the brink of transfiguration. She is strong and beautiful, with an expression of intense brooding, as if about to become aware of secret wonder.
Her crest is the head of the ram, and her sceptre descends into the earth. There its head becomes a diamond, the precious stone of Kether, thus symbolising the birth of the highest and purest light in the deepest and darkest of the Elements. She stands within a grove of sacred trees before an altar suggesting a wheatsheaf, for she is a priestess of Demeter. She bears within her body the secret of the future. Her sublimity is further emphasised by the disk which she bears; for in the centre thereof is the Chinese ideogram denoting the twin spiral force of Creation in perfect equilibrium; from this is born the rose of Isis, the great fertile Mother.

Venus in Aquarius – Defeat
The intellect has been enfeebled by sentiment. The defeat is due to pacifism. Treachery also may be implied.
The hilts of the swords form the inverted pentagram, always a symbol of somewhat sinister tendency. Here matters are even worse; none of the hilts resembles any of the others, and their blades are crooked or broken. They give the impression of drooping; only the lowest of the swords points upwards, and this is the least effective of the weapons. The rose of the previous card has been altogether disintegrated.

The Sun
Glory, gain, riches, triumph, pleasure, frankness, truth, shame-lessness, arrogance, vanity, manifestation, recovery from sickness, but sometimes sudden death.
Your Current Path
cards represent your current path as it would unfold naturally. These cards are read in chronological order from left to right.

Venus in Scorpio – Debauch
This card refers to the Seven, Netzach, in the suit of Water. Here recurs the invariable weakness arising from lack of balance; also, the card is governed by Venus in Scorpio. Her dignity is not good in this Sign; one is reminded that Venus is the planet of Copper, 'external splendour and internal corruption'. The Lotuses have become poisonous, looking like tiger-lilies; and, instead of water, green slime issues from them and overflows, making the Sea a malarious morass. It is a wholesome reminder of the fatal ease with which a Sacrament may be profaned and prostituted.

Aries
War, conquest, victory, strife, ambition, originality, over-weening confidence and megalomania, quarrelsomeness, energy, vigour, stubbornness, impracticability, rashness, ill- temper.

Sun in Scorpio – Pleasure
This card shows the influence of the number Six, Tiphareth, in the suit of Water. This influence is fortified by that of the Sun, who also represents the Six. The whole image is that of the influence of the Sun on Water.
The lotus stems are grouped in an elaborate dancing movement. From their blossoms water gushes into the Cups, but they are not yet full to overflowing, as they are in the corresponding card below; the Nine. Pleasure, in the title of this card, must be understood in its highest sense: it implies well-being, harmony of natural forces without effort or strain, ease, satisfaction. Foreign to the idea of the card is the gratification of natural or artificial desires. Yet it does represent emphatically the fulfilment of the sexual Will, as shown by the ruling Sephira, planet, element, and sign.
The Alternate Path
cards represent the alternate path that you could choose to take in lieu of the Current Path. However, if the cards that come up seem to indicate that they go along with the Current Path, these three cards should be interpretted not as an Alternate Path, but as a chronological extension of the Current Path (also read from left to right).

Fire
Final decision in respect of the past, new current in respect of the future; always represents the taking of a definite step.

Mars in Aries – Dominion
This card, pertaining to Chokmah in the suit of Fire, represents the Will in its most exalted form. It is an ideal Will, independent of any given object.
'For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect'. AL. 1. 44.
The background of this card shows the power of the planet Mars in his own sign Aries, the first of the Signs. It there represents Energy initiating a Current of Force. The pictorial representation is two Dorjes crossed. The Dorje is the Tibetan symbol of the thunderbolt, the emblem of celestial Power, but more in its destructive than its creative form. More, that is, in its earlier rather than its later form. For destruction may be regarded as the first step in the creative process. The virgin ovum must be broken in order to fertilise it. Fear and repulsion are therefore the primary reaction to the assault. Then, with understanding of the complete plan, willing surrender rejoices to co-operate. Six flames issue from the centre. This indicates the influence of the Sun, who is exalted in Aries. This is the creative Will.

Moon in Aquarius – Futility
Netzach, in the suit of Swords, does not represent such catastrophe as in the other suits, for Netzach, the Sephira of Venus, means victory. There is, therefore, a modifying influence; and this is accentuated by the celestial rule of the Moon in Aquarius.
The intellectual wreckage of the card is thus not so vehement as in the Five. There is vacillation, a wish to compromise, a certain toleration. But, in certain circumstances, the results may be more disastrous than ever. This naturally depends upon the success of the policy. This is always in doubt as long as there exist violent, uncompromising forces which take it as a natural prey. This card, like the Four, suggests the policy of appeasement.
The symbol shows six Swords with their hilts in crescent formation. Their points meet below the centre of the card, impinging upon a blade of a much larger up-thrusting sword, as if there were a contest between the many feeble and the one strong. He strives in vain.
The Psychological Basis
cards shed light upon the psychological undertones of the current problem.

Saturn in Pisces – Indolence
Lotuses droop for lack of sun and rain, and the soil is poison to them; only two of the stems show blossoms at all. The cups are shallow, old and broken. They are arranged in three rows; of these the upper row of three is quite empty. Water trickles from the two flowers into the two central cups, and they drip into the two lowest without filling them. The background of the card shows pools, or lagoons, in very extensive country, incapable of cultivation; only disease and miasma tic poison can flourish in those vast Bad Lands. The water is dark and muddy. On the horizon is a pallid, yellowish light, weighed down by leaden clouds of indigo.

The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.

Scorpio
Transformation, change, voluntary or involuntary, in either case logical development of existing conditions, yet perhaps sudden and unexpected. Apparent death or destruction, but such interpretation is illusion.
Karma
These cards represent the influences of karma and destiny that are beyond your control. They suggest adapting to this fate.

Virgo
Illumination from within, secret impulse from within; practical plans derived accordingly. Retirement from participation in current events.

Venus in Aries – Completion
This card refers to Chesed in the suit of Fire. Being below the Abyss, it is the Lord of all manifested active Power. The original Will of the Two has been transmitted through the Three, and is now built up into a solid system: Order, Law, Government. It is also referred to Venus in Aries, which indicates that one cannot establish one's work without tact and gentleness. The wands are headed by the Ram, sacred to Chesed, the Father-god Amoun-Ra, as also to Aries; but at the other end of the wands are the Doves of Venus.
In the symbol, the ends of the wands touch a circle, showing the completion and limitation of the original work. It is within this circle that the flames (four double, as if to assert the balance) of the Energy are seen to play, and there is no intention to increase the scope of the original Will.

The Princess of Cups represents the earthy part of Water; in particular, the faculty of crystallisation. She represents the power of Water to give substance to idea, to support life, and to form the basis of chemical combination. She is represented as a dancing figure, robed in a flowing garment on whose edges crystals are seen to form.
For her crest she wears a swan with open wings. The symbolism of this swan reminds one of the swan in oriental philosophy which is the word AUM or AUMGN, which is the symbol of the entire process of creation. She bears a covered cup from which issues a tortoise. This is again the tortoise which in Hindu philosophy supports the elephant on whose back is the Universe. She is dancing upon a foaming sea in which disports himself a dolphin, the royal fish, which symbolises the power of Creation. The character of the Princess is infinitely gracious. All sweetness, all voluptuousness, gentleness, kindness and tenderness are in her character. She lives in the world of Romance, in the perpetual dream of rapture. On a superficial examination she might be thought selfish and indolent, but this is a quite false impression; silently and effortlessly she goes about her work.