The Golden Dawn or Thoth Method
Difficulty: Complicated
Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.
The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.
In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.
As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.
Card #1 represents the reader and the nature of the topic at hand.
Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.
The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.
Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.
Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.
Your Golden Dawn Tarot Reading with the Book of Thoth
| The Alternate Path (or Extension of Current Path) |
Your Current Path |
|||||
 10 of Swords |
 The Emperor |
 The Moon |
 5 of Cups |
 6 of Disks |
 9 of Swords |
|
| The Querent | ||||||
 The Hermit |
 Fortune |
 The Magus |
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| The Psychological Basis | Karma | |||||
 Prince of Swords |
 The Chariot |
 Prince of Cups |
 9 of Cups |
 Adjustment |
 Ace of Swords |
|
The Querent
cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.
Jupiter
Change of fortune. (This generally means good fortune because the fact of consultation implies anxiety or discontent.)
Virgo
Illumination from within, secret impulse from within; practical plans derived accordingly. Retirement from participation in current events.
Mercury
Skill, wisdom, adroitness, elasticity, craft, cunning, deceit, theft. Sometimes occult wisdom or power, sometimes a quick impulse, a brain-wave. It may imply messages, business transactions, the interference of learning or intelligence with the matter in hand.
Your Current Path
cards represent your current path as it would unfold naturally. These cards are read in chronological order from left to right.
Mars in Scorpio – Disappointment
This card is ruled by Geburah in the suit of Water. Geburah being fiery, there is a natural antipathy. Hence arises the idea of disturbance, just when least expected, in a time of ease. The attribution is also to Mars in Scorpio, which is his own house; and Mars is the manifestation on the lowest plane of Geburah, while Scorpio, in its worst aspect, suggests the putrefying power of Water.
Yet the powerful male influences do not show actual decay, only the beginning of destruction; hence, the anticipated pleasure is frustrated. The Lotuses have their petals torn by fiery winds; the sea is arid and stagnant, a dead sea, like a 'chott' in North Africa. No water flows into the cups. Moreover, these cups are arranged in the form of an inverted pentagram, symbolising the triumph of matter over spirit.
Moon in Taurus – Success
The Number Six, Tiphareth, as before, represents the full harmonious establishment of the Energy of the Element. The Moon in Taurus rules the card; and this, while increasing the approach to perfection (for the Moon is exalted in Taurus and therefore in her highest form) marks that the condition is transient.
The disks are arranged in the form of the Hexagram, which is shown in skeleton. In the centre blushes and glows the light rose- madder of dawn, and without are three concentric circles, golden yellow, salmon-pink, and amber. These colours show Tiphareth fully realised on Earth; it reaffirms in form what was mathematically set forth in describing the Ace. The planets are arranged in accordance with their usual attribution; but they are only shown as disks irradiated by the Sun in their centre. This Sun is idolised as the Rose and Cross; the Rose has forty-nine petals, the interplay of the Seven with the Seven.
Mars in Gemini – Cruelty
Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic. The celestial ruler is Mars in Gemini, crude rage of hunger operating without restraint; although its form is intellectual, it is the temper of the inquisitor.
The symbol shows nine swords of varying lengths, all striking downwards to a point. They are jagged and rusty. Poison and blood drip from their blades. There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom. Nor is an alien formula that of implacable revenge.
The Alternate Path
cards represent the alternate path that you could choose to take in lieu of the Current Path. However, if the cards that come up seem to indicate that they go along with the Current Path, these three cards should be interpretted not as an Alternate Path, but as a chronological extension of the Current Path (also read from left to right).
Sun in Gemini – Ruin
The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality.
The card is also ruled by the Sun in Gemini, but the mercurial airy quality of the Sign serves to disperse his rays; this card shows the disruption and disorder of harmonious and stable energy.
The hilts of the Swords occupy the positions of the Sephiroth, but the points One to Five and Seven to Nine touch and shatter the central Sword (six) which represents the Sun, the Heart, the child of Chokmah and Binah. The tenth Sword is also in splinters. It is the ruin of the Intellect, and even of all mental and moral qualities.
Aries
War, conquest, victory, strife, ambition, originality, over-weening confidence and megalomania, quarrelsomeness, energy, vigour, stubbornness, impracticability, rashness, ill- temper.
Pisces
Illusion, deception, bewilderment, hysteria, even madness, dreaminess, falsehood, error, crisis, 'the darkest hour before the dawn', the brink of important change.
The Psychological Basis
cards shed light upon the psychological undertones of the current problem.
Aquarius
This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.
The operation of his logical mental processes has reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolised is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.
Cancer
Triumph, victory, hope, memory, digestion, violence in maintaining traditional ideas, the 'die-hard', ruthlessness, lust of destruction, obedience, faithfulness, authority under authority.
Scorpio
The Prince of Cups represents the airy part of Water. On the one hand, elasticity, volatility, hydrostatic equilibrium; on the other hand, the catalytic faculty and the energy of steam. He is a warrior partly clad in armour, which seems, however, rather a growth than a covering. His helmet is surmounted by an eagle, and his chariot, which resembles a shell, is also drawn by an eagle. His wings are tenuous, almost of gas. This is a reference to his power of volatilisation understood in the spiritual sense. The whole symbolism of this card is exceedingly complicated, for Scorpio is the most mysterious of the Signs, and the manifested portion of it symbolised by the eagle is in reality the least important part of his nature.
The moral characteristics of the person pictured in this card are subtlety, secret violence, and craft. He is intensely secret, an artist in all his ways. On the surface he appears calm and imperturbable, but this is a mask of the most intense passion. He is on the surface susceptible to external influences, but he accepts them only to transmute them to the advantage of his secret designs. He is thus completely without conscience in the ordinary sense of the word, and is therefore usually distrusted by his neighbours. They feel they do not, and can never, understand him. Thus, he inspires unreasonable fear. He is in fact perfectly ruthless. He cares intensely for power, wisdom, and his own aims.
Karma
These cards represent the influences of karma and destiny that are beyond your control. They suggest adapting to this fate.
Jupiter in Pisces – Happiness
The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water.
In this card is the pageant of the culmination and perfection of the original force of Water. In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.
Libra
Justice, or rather justesse, the act of adjustment, suspension of all action pending decision; in material matters, may refer to law suits or prosecutions. Socially, marriage or marriage agreements; politically, treaties.
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.
