The Three Pyramids Spread
Difficulty: Complicated
Basically, there is the main pyramid in the centre, and two smaller pyramids on each side. One is inverted.
Positions 1 & 3 represent where the reader comes from, or what has made them/shaped them on the various levels. Can be from environment, upbringing, schooling, etc. A look at the past, but with more objectivity than is usually given when using tarot cards.
Positions 4 & 5 represent who the reader is right now. May or may not make pleasant reading, but hey, this is what this is about, right?
Position 6 represents who the reader could be. Again, it might or might not look good, but a person can learn from that and change who they are accordingly. (This is a bit like how Scrooge did things in 'A Christmas Carol'.)
Positions 7 & 8 are the reader's strengths. This is the light they have, which can be bought to the forefront. What carries the person should not be hidden or unacknowledged.
Position 9 represents what should be given to oneself or created within.
Position 10 & 11 represent personal areas for development or weaknesses. Again, might not make good reading, but if someone looks at their strengths first, they will be able to see a balance is there and can choose to focus on one side or the other. This is where a person could really see how their shadow side comes into play.
Position 12 represents what the reader should be offering externally, or what they can bring to their world or to others who inhabit that world.
Your Three Pyramids Tarot Reading with the Book of Thoth
Strength #1 |
Strength #2 |
 |
Exhibit |
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Nurture This |
Potential |
Infirmity #1 |
Infirmity #2 |
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Now #1 |
Now #2 |
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Base (past) #1 |
Base (past) #2 |
Base (past) #3 |
1: Base #1
Aquarius
This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.
The operation of his logical mental processes has reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolised is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.
2: Base #2
Saturn in Libra – Sorrow
This card is dark and heavy; it is, so to speak, the womb of Chaos. There is an intense lurking passion to create, but its children are monsters. This may mean the supreme transcendence of the natural order. Secrecy is here, and Perversion.
The symbol represents the great Sword of the Magician, point uppermost; it cuts the junction of two short curved swords. The impact has destroyed the rose. In the background, storm broods under implacable night.
3: Base #3
Sun in Scorpio – Pleasure
This card shows the influence of the number Six, Tiphareth, in the suit of Water. This influence is fortified by that of the Sun, who also represents the Six. The whole image is that of the influence of the Sun on Water.
The lotus stems are grouped in an elaborate dancing movement. From their blossoms water gushes into the Cups, but they are not yet full to overflowing, as they are in the corresponding card below; the Nine. Pleasure, in the title of this card, must be understood in its highest sense: it implies well-being, harmony of natural forces without effort or strain, ease, satisfaction. Foreign to the idea of the card is the gratification of natural or artificial desires. Yet it does represent emphatically the fulfilment of the sexual Will, as shown by the ruling Sephira, planet, element, and sign.
4: Where you are now #1
Virgo
Illumination from within, secret impulse from within; practical plans derived accordingly. Retirement from participation in current events.
5: Where you are now #2
Venus
Love, beauty, happiness, pleasure, success, completion, good fortune, graciousness, elegance, luxury, idleness, dissipation debauchery, friendship, gentleness, delight.
6: Your potential
Cancer
Triumph, victory, hope, memory, digestion, violence in maintaining traditional ideas, the 'die-hard', ruthlessness, lust of destruction, obedience, faithfulness, authority under authority.
7: Strength #1
Saturn in Pisces – Indolence
Lotuses droop for lack of sun and rain, and the soil is poison to them; only two of the stems show blossoms at all. The cups are shallow, old and broken. They are arranged in three rows; of these the upper row of three is quite empty. Water trickles from the two flowers into the two central cups, and they drip into the two lowest without filling them. The background of the card shows pools, or lagoons, in very extensive country, incapable of cultivation; only disease and miasma tic poison can flourish in those vast Bad Lands. The water is dark and muddy. On the horizon is a pallid, yellowish light, weighed down by leaden clouds of indigo.
8: Strength #2
Jupiter in Gemini – Interference
The number Eight, Hod, here signifies lack of persistence in matters of the intellect and of contest. Good fortune, however, attends even these weakened efforts, thanks to the influence of Jupiter in Gemini, ruling the Decan. Yet the Will is constantly thwarted by accidental interference.
The centre of the card is occupied by two long Swords pointed downward. These are crossed by six small swords, three on each side. They remind one of weapons peculiar to their countries or their cults; we see here the Kriss, the Kukri, the Scramasax, the Dagger, the Machete and the Yataghan.
9: Nurture this
Gemini
The Knight of Swords represents the fiery part of Air; he is the wind, the storm. He represents the violent power of motion applied to an apparently manageable element. He is a warrior helmed, and for his crest he bears a revolving wing. Mounted upon a maddened steed, he drives down the Heavens, the Spirit of the Tempest. In one hand is a sword, in the other a poniard. He represents the idea of attack.
The moral qualities of a person thus indicated are activity and skill, subtlety and cleverness. He is fierce, delicate and courageous, but altogether the prey of his idea, which comes to him as an inspiration without reflection.
10: Weakness #1
Air
In spiritual matters, the Fool means idea, thought, spirituality, that which endeavours to transcend earth.
In material matters, it may, if badly dignified, mean folly, eccentricity, or even mania.
But the essential of this card is that it represents an original, subtle, sudden impulse or impact, coming from a completely strange quarter.
All such impulses are right, if rightly received; and the good or ill interpretation of the card depends entirely on the right attitude of the Querent.
11: Weakness #2
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.
12: Behavior to exhibit
The Princess of Swords represents the earthy part of Air, the fixation of the volatile. She brings about the materialisation of Idea. She represents the influence of Heaven upon Earth. She represents to some extent the anger of the Gods, and she appears helmed, with serpent-haired Medusa for her crest. She stands in front of a barren altar as if to avenge its profanation, and she stabs downward with her sword. The heaven and the clouds, which are her home, seem angry.
The character of the Princess is stern and revengeful. Her logic is destructive. She is firm and aggressive, with great practical wisdom and subtlety in material things. She shews great cleverness and dexterity in the management of practical affairs, especially where they are of a controversial nature. She is very adroit in the settlement of controversies.
