Relationship Spread #1

Difficulty: Easy
This tarot spread is easy to read, like a convenient chart. In this spread, court cards generally indicate actual people with the same characteristics. Knights (or corresponding princes, but not kings) and queens are meant to represent actual men and women in this tarot spread. Look for patterns in the cards as always.
Card #1 is the overall significator of the relationship. The two columns on either side of the significator characterise each individual's role in the relationship. The relationship does not have to be romantic. In fact, it could be a relationship between a person and a group, or even how two groups relate.
The top row, cards #7 & #2, is about the conscious thoughts of each person, or what they think about the relationship and likewise how they view their partner.
The middle row, cards #6 & #3, reveals the way each individual feels about the other. Emotional awareness corresponds to a person's unconscious thoughts that run deep, affecting a person in ways he or she is not fully aware of.
The bottom row, cards #5 & #4, represents the way each person behaves, in other words the stance taken regarding the relationship. The way a person acts may be genuine, but sometimes people are phony and manipulative, so it is best to weigh this card against the other person's cards to determine how they match up.
Your Relationship Reading #1 with the Book of Thoth
You |
Other Person |
||
Thought |
![]() The Moon |
![]() 2 of Swords |
|
Emotion |
![]() The Aeon |
The Significator ![]() 3 of Cups |
![]() 4 of Cups |
External Stance |
![]() 4 of Disks |
![]() Ace of Swords |
The Significator
3 of Cups
Mercury in Cancer – Abundance
This card refers to Binah in the suit of Water. This is the card of Demeter or Persephone. The Cups are pomegranates: they are filled bountifully to overflowing a single lotus, arising from the dark calm sea characteristic of Binah. There is here the fulfilment of the Will of Love in abounding joy. It is the spiritual basis of fertility.
The card is referred to the influence of Mercury in Cancer; this carries further the above thesis. Mercury is the Will or Word of the All-Father; here its influence descends upon the most receptive of the Signs. At the same time, the combination of these forms of energy brings in the possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in one aspect, but Saturn in another; and Mercury, besides being the Word or Will of the All-One, is the guide of the souls of the Dead. The pomegranate was the fruit which Persephone ate in the realms of Pluto, thereby enabling him to hold her in the lower world, even after the most powerful influence had been brought to bear. The lesson seems to be that the good things of life, although enjoyed, should be distrusted.
The Querent's Thoughts
The Moon
Pisces
Illusion, deception, bewilderment, hysteria, even madness, dreaminess, falsehood, error, crisis, 'the darkest hour before the dawn', the brink of important change.
The Other Person's Thoughts
2 of Swords
Moon in Libra – Peace
The Moon is change, but Nature is peaceful; moreover, Libra represents balance; between them, they regulate the energy of the Swords.
In the card appear two swords crossed; they are united by a blue rose with five petals. This rose represents the influence of the Mother, whose harmonising influence compounds the latent antagonism native to the suit. The Rose emits white rays, producing a geometrical pattern that emphasises the equilibrium of the symbol.
The Querent's Emotions
The Aeon
Fire
Final decision in respect of the past, new current in respect of the future; always represents the taking of a definite step.
The Other Person's Emotions
4 of Cups
Moon in Cancer – Luxury
This card refers to Chesed in the sphere of Water. Here, below the Abyss, the energy of this element, although ordered, balanced and (for the moment) stabilised, has lost the original purity of the conception. The card refers to the Moon in Cancer, which is her own house; but Cancer itself is so placed that this implies a certain weakness, an abandonment to desire. This tends to introduce the seeds of decay into the fruit of pleasure.
The sea is still shown, but its surface is ruffled, and the four Cups which stand upon it are no longer so stable. The Lotus from which the water Springs has a multiple stem, as if to show that the influence of the Dyad has gathered strength.
The Querent's External Stance
4 of Disks
Sun in Capricorn – Power
The Four, Chesed, shows the establishment of the Universe in three dimensions, that is, below the Abyss. The generating idea is exhibited in its full material sense. The card is ruled by the Sun in Capricornus, the Sign in which he is reborn. The disks are very large and solid; the suggestion of the card is that of a fortress. This represents Law and Order, maintained by constant authority and vigilance. The disks themselves are square; revolution is very opposite to the card; and they contain the signs of the Four Elements. For all that, they revolve; defence is valid only when violently active.
So far as it appears stationary, it is the 'dead centre' of the engineer; and Capricornus is the point at which the Sun 'turns again Northward'. The background is of deep azure, flecked yellow, suggesting a moat; but beyond this is a pattern of green and indigo to represent the guarded fields whose security is assured by the fortress.
The Other Person's External Stance
Ace of Swords
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.