The Love Triangle Spread

The Love Triangle Spread

 

 

Difficulty: Complicated

Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.

The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.

The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.

The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.

 

 

 

 

 

 

 

 

Love Triangle Tarot Reading with the Book of Thoth

 


P#3   3to2 2+3
2to3   P#2
3to1 Overall 2to1
1+3 1to3 1to2 1+2
  P#1  
         

 

 

 

1: Person #1

6 of Disks

Moon in Taurus – Success

The Number Six, Tiphareth, as before, represents the full harmonious establishment of the Energy of the Element. The Moon in Taurus rules the card; and this, while increasing the approach to perfection (for the Moon is exalted in Taurus and therefore in her highest form) marks that the condition is transient.

The disks are arranged in the form of the Hexagram, which is shown in skeleton. In the centre blushes and glows the light rose- madder of dawn, and without are three concentric circles, golden yellow, salmon-pink, and amber. These colours show Tiphareth fully realised on Earth; it reaffirms in form what was mathematically set forth in describing the Ace. The planets are arranged in accordance with their usual attribution; but they are only shown as disks irradiated by the Sun in their centre. This Sun is idolised as the Rose and Cross; the Rose has forty-nine petals, the interplay of the Seven with the Seven.

 

 

 

2: Person #2

The Chariot

Cancer

The Issue of the Vulture, Two-in-One, conveyed; this is the Chariot of Power. TRINC: the last oracle.

Triumph, victory, hope, memory, digestion, violence in maintaining traditional ideas, the 'die-hard', ruthlessness, lust of destruction, obedience, faithfulness, authority under authority.

 

 

 

3: Person #3

Knight of Disks

Virgo

The Knight of Disks represents the fiery part of Earth, and refers in particular to the phenomena of mountains, earthquakes, and gravitation; but it also represents the activity of Earth regarded as the producer of Life. This warrior is short and sturdy in type. He rides through the fertile land; even the distant hills are cultivated fields.

Those whom he symbolises tend to be dull, heavy and pre-occupied with material things. They are laborious and patient, but would have little intellectual grasp even of matters which concern them most closely. Their success in these is due to instinct, to imitation of Nature. They lack initiative; their fire is the smouldering fire of the process of growth.

 

 

 

 

 

 

 

 

 

4: Person #1's view of #2

3 of Cups

Mercury in Cancer – Abundance

This card refers to Binah in the suit of Water. This is the card of Demeter or Persephone. The Cups are pomegranates: they are filled bountifully to overflowing a single lotus, arising from the dark calm sea characteristic of Binah. There is here the fulfilment of the Will of Love in abounding joy. It is the spiritual basis of fertility.

The card is referred to the influence of Mercury in Cancer; this carries further the above thesis. Mercury is the Will or Word of the All-Father; here its influence descends upon the most receptive of the Signs. At the same time, the combination of these forms of energy brings in the possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in one aspect, but Saturn in another; and Mercury, besides being the Word or Will of the All-One, is the guide of the souls of the Dead. The pomegranate was the fruit which Persephone ate in the realms of Pluto, thereby enabling him to hold her in the lower world, even after the most powerful influence had been brought to bear. The lesson seems to be that the good things of life, although enjoyed, should be distrusted.

 

 

 

5: Person #2's view of #3

9 of Cups

Jupiter in Pisces – Happiness

The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water.

In this card is the pageant of the culmination and perfection of the original force of Water. In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.

 

 

 

6: Person #3's view of #1

The Hanged Man

Water

Let not the waters whereon thou journeyest wet thee. And, being come to shore, plant thou the Vine and rejoice without shame.

Enforced sacrifice, punishment, loss, fatal or voluntary, suffering, defeat, failure, death.

 

 

 

7: Person #2's view of #1

6 of Wands

Jupiter in Leo – Victory

This card represents Tiphareth of the suit of Fire. This shows Energy in completely balanced manifestation. The Five has broken up the closed forces of the Four with revolutionary ardour, but a marriage has taken place between them; and the result is the Son, and the Sun.

The reference is also to Jupiter and Leo, which seems to imply a benediction on the harmony and beauty of this arrangement. It Will be seen that the Three Wands of the Three Adepts are now orderly arranged; and the flames themselves, instead of shooting out in all directions, burn steadily as in lamps. They are nine in number, in reference to Yesod and the Moon. This shows the stabilisation of the Energy, and its reception and reflection by the Feminine.

There is no circle to enclose the system. It is self-supporting, like the Sun.

 

 

 

8: Person #3's view of #2

Princess of Swords

The Princess of Swords represents the earthy part of Air, the fixation of the volatile. She brings about the materialisation of Idea. She represents the influence of Heaven upon Earth. She represents to some extent the anger of the Gods, and she appears helmed, with serpent-haired Medusa for her crest. She stands in front of a barren altar as if to avenge its profanation, and she stabs downward with her sword. The heaven and the clouds, which are her home, seem angry.

The character of the Princess is stern and revengeful. Her logic is destructive. She is firm and aggressive, with great practical wisdom and subtlety in material things. She shews great cleverness and dexterity in the management of practical affairs, especially where they are of a controversial nature. She is very adroit in the settlement of controversies.

 

 

 

9: Person #1's view of #3

The Hermit

Virgo

Wander alone; bearing the Light and thy Staff. And be the Light so bright that no man seeth thee. Be not moved by aught without or within: keep Silence in all ways.

Illumination from within, secret impulse from within; practical plans derived accordingly. Retirement from participation in current events.

 

 

 

 

 

 

 

 

 

10: Overall relationship between persons #1 and #2

Death

Scorpio

The Universe is Change; every Change is the effect of an Act of Love; all Acts of Love contain Pure Joy. Die daily. Death is the apex of one curve of the snake Life: behold all Opposites as necessary complements, and rejoice.

Transformation, change, voluntary or involuntary, in either case logical development of existing conditions, yet perhaps sudden and unexpected. Apparent death or destruction, but such interpretation is illusion.

 

 

 

11: Overall relationship between persons #2 and #3

Prince of Wands

Leo

The moral qualities appropriate to this figure are swiftness and strength. But he is sometimes inclined to act on impulse; sometimes easily led by external influences; sometimes, especially in trifles, a prey to indecision. He is often violent, especially in the expression of an opinion, but he does not necessarily hold the opinion about which he is so emphatic. He states a vigorous proposition for the sake of stating it. He is in fact very slow to make up his mind thoroughly on any subject, but always sees both sides of every question. He is essentially just, but always feels that justice is not to be attained in the intellectual world. His character is intensely noble and generous.

He may be an extravagant boaster, while slyly laughing both at the object of his boast and at himself for making it. One of his greatest faults is pride; meanness and pettiness of any kind he holds in infinite scorn. His courage is fanatically strong, and his endurance indefatigable. He is always fighting against odds, and always wins in the long – the very long-run. This is principally due to his enormous capacity for work, which he exercises for its own sake, 'without lust of result'.

 

 

12: Overall relationship between persons #1 and #3

Prince of Swords

Aquarius

This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.

The operation of his logical mental processes has reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolised is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.

 

 

 

13: Overall 3-way Relationship

6 of Cups

Sun in Scorpio – Pleasure

This card shows the influence of the number Six, Tiphareth, in the suit of Water. This influence is fortified by that of the Sun, who also represents the Six. The whole image is that of the influence of the Sun on Water.

The lotus stems are grouped in an elaborate dancing movement. From their blossoms water gushes into the Cups, but they are not yet full to overflowing, as they are in the corresponding card below; the Nine. Pleasure, in the title of this card, must be understood in its highest sense: it implies well-being, harmony of natural forces without effort or strain, ease, satisfaction. Foreign to the idea of the card is the gratification of natural or artificial desires. Yet it does represent emphatically the fulfilment of the sexual Will, as shown by the ruling Sephira, planet, element, and sign.

 

 


 

 

 

 

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