The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Love Triangle Tarot Reading with the Book of Thoth
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
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P#1 |  |
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||
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1: Person #1
Fire
Final decision in respect of the past, new current in respect of the future; always represents the taking of a definite step.
2: Person #2
Venus in Virgo – Gain
The number Nine, Yesod, inevitably brings back the balance of Force in fulfilment. The card is ruled by Venus in Virgo. It shows good luck attending material affairs, favour and popularity.
The disks are arranged as an equilateral triangle of three, apex upwards, close together; and, surrounded at some distance by a ring, six larger disks in the form of a hexagon. This signifies the multiplication of the original established Word-by the mingling of 'good luck and good management'. The three central disks are of the magical pattern as in earlier cards; but the others, since the descent into matter implies the gradual exhaustion of the original whirling energy, now take on the form of coins. These may be marked with the magical images of the appropriate planets.
3: Person #3
Moon in Libra – Peace
The Moon is change, but Nature is peaceful; moreover, Libra represents balance; between them, they regulate the energy of the Swords.
In the card appear two swords crossed; they are united by a blue rose with five petals. This rose represents the influence of the Mother, whose harmonising influence compounds the latent antagonism native to the suit. The Rose emits white rays, producing a geometrical pattern that emphasises the equilibrium of the symbol.
4: Person #1's view of #2
Pisces
Illusion, deception, bewilderment, hysteria, even madness, dreaminess, falsehood, error, crisis, 'the darkest hour before the dawn', the brink of important change.
5: Person #2's view of #3
Venus in Cancer – Love
The Two always represents the Word and the Will. It is the first manifestation. Therefore, in the suit of Water, it must refer to Love, which recovers unity from dividuality by mutual annihilation. The card also refers to Venus in Cancer. Cancer is, more than any other, the receptive Sign; it is the House of the Moon, and in that Sign Jupiter is exalted. These are, superficially, the three most friendly of the planets.
The hieroglyph of the card represents two cups in the foreground, overflowing upon a calm sea. They are fed with lucent water from a lotus floating upon the sea, from which rises another lotus around whose stem are entwined twin dolphins.
The number Two referring to Will, this card might really be renamed the Lord of Love under Will, for that is its full and true meaning. It shows the harmony of the male and the female: interpreted in the largest sense. It is perfect and placid harmony, radiating an intensity of joy and ecstasy.
6: Person #3's view of #1
Mars in Pisces – Satiety
This card represents a conflicting element. On the one hand, it receives the influence of the Ten, Malkah the Virgin. The arrangement of the cups is that of the Tree of Life. But, on the other hand, they are themselves unstable. They are tilted; they spill the water from the great Lotus which overhangs the whole system from one into the other. The work proper to water is complete: and disturbance is due.
7: Person #2's view of #1
Moon in Cancer – Luxury
This card refers to Chesed in the sphere of Water. Here, below the Abyss, the energy of this element, although ordered, balanced and (for the moment) stabilised, has lost the original purity of the conception. The card refers to the Moon in Cancer, which is her own house; but Cancer itself is so placed that this implies a certain weakness, an abandonment to desire. This tends to introduce the seeds of decay into the fruit of pleasure.
The sea is still shown, but its surface is ruffled, and the four Cups which stand upon it are no longer so stable. The Lotus from which the water Springs has a multiple stem, as if to show that the influence of the Dyad has gathered strength.
8: Person #3's view of #2
The Root of Water
This card represents the element of Water in its most secret and original form. It is the feminine complement of the Ace of Wands, and is derived from the Yoni and the Moon exactly as that is from the Lingam and the Sun. The third in the Hierarchy. This accordingly represents the essential form of the Holy Grail. Upon the dark sea of Binah, the Great Mother, are Lotuses, two in one, which fill the cup with the Life-fluid, symbolically represented either as Water, as Blood, or as Wine, according to the selected purpose of the symbolism.
Above the Cup, descending upon it, is the Dove of the Holy Ghost, thus consecrating the element. At the base of the Cup is the Moon, for it is the virtue of this card to conceive and to produce the second form of its Nature.
9: Person #1's view of #3
Sun in Gemini – Ruin
The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality.
The card is also ruled by the Sun in Gemini, but the mercurial airy quality of the Sign serves to disperse his rays; this card shows the disruption and disorder of harmonious and stable energy.
The hilts of the Swords occupy the positions of the Sephiroth, but the points One to Five and Seven to Nine touch and shatter the central Sword (six) which represents the Sun, the Heart, the child of Chokmah and Binah. The tenth Sword is also in splinters. It is the ruin of the Intellect, and even of all mental and moral qualities.
10: Overall relationship between persons #1 and #2
Leo
The moral qualities appropriate to this figure are swiftness and strength. But he is sometimes inclined to act on impulse; sometimes easily led by external influences; sometimes, especially in trifles, a prey to indecision. He is often violent, especially in the expression of an opinion, but he does not necessarily hold the opinion about which he is so emphatic. He states a vigorous proposition for the sake of stating it. He is in fact very slow to make up his mind thoroughly on any subject, but always sees both sides of every question. He is essentially just, but always feels that justice is not to be attained in the intellectual world. His character is intensely noble and generous.
He may be an extravagant boaster, while slyly laughing both at the object of his boast and at himself for making it. One of his greatest faults is pride; meanness and pettiness of any kind he holds in infinite scorn. His courage is fanatically strong, and his endurance indefatigable. He is always fighting against odds, and always wins in the long – the very long-run. This is principally due to his enormous capacity for work, which he exercises for its own sake, 'without lust of result'.
11: Overall relationship between persons #2 and #3
Taurus
The Prince of Disks represents the airy part of Earth, indicating the florescence and fructification of that element. The figure of this Prince is meditative. He is the element of Earth become intelligible. In his left hand he holds his disk, which is an orb resembling a globe, marked with mathematical symbols as if to imply the planning involved in agriculture. In his right hand he bears an orbed sceptre surmounted by a cross, a symbol of the Great Work accomplished.
A steadfast and per severing worker, he is competent, ingenious, thoughtful, cautious, trustworthy, imperturbable. He constantly seeks new uses for common things, and adapts his circumstances to his purposes in a slow, steady, well-thought-out plan. He is lacking almost entirely in emotion. He is somewhat insensitive, and may appear dull, but he is not; it so appears because he makes no effort to understand ideas which are beyond his scope. He may often appear stupid, and is inclined to be resentful of more spiritual types. He is slow to anger, but, if driven, becomes implacable.
12: Overall relationship between persons #1 and #3
Libra
Justice, or rather justesse, the act of adjustment, suspension of all action pending decision; in material matters, may refer to law suits or prosecutions. Socially, marriage or marriage agreements; politically, treaties.
13: Overall 3-way Relationship
The Princess of Wands represents the earthy part of Fire; one might say, she is the fuel of Fire. This expression implies the irresistible chemical attraction of the combustible substance. The Princess is therefore shewn with the plumes of justice streaming like flames from her brow; and she is unclothed, shewing that chemical action can only take place when the element is perfectly free to combine with its partner.
This card may be said to represent the dance of the virgin priestess of the Lords of Fire, for she is in attendance upon the golden altar ornamented with rams' heads) symbolising the fires of Spring. The character of the Princess is extremely individual. She is brilliant and daring. She creates her own beauty by her essential vigour and energy. The force of her character imposes the impression of beauty upon the beholder. In anger or love she is sudden, violent, and implacable. She consumes all that comes into her sphere. She is ambitious and aspiring, full of enthusiasm which is often irrational. She never forgets an injury, and the only quality of patience to be found in her is the patience with which she lies in ambush to avenge.
