The Love Triangle Spread

Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Love Triangle Tarot Reading with the Book of Thoth
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1: Person #1

Saturn in Libra – Sorrow
This card is dark and heavy; it is, so to speak, the womb of Chaos. There is an intense lurking passion to create, but its children are monsters. This may mean the supreme transcendence of the natural order. Secrecy is here, and Perversion.
The symbol represents the great Sword of the Magician, point uppermost; it cuts the junction of two short curved swords. The impact has destroyed the rose. In the background, storm broods under implacable night.
2: Person #2

The Princess of Cups represents the earthy part of Water; in particular, the faculty of crystallisation. She represents the power of Water to give substance to idea, to support life, and to form the basis of chemical combination. She is represented as a dancing figure, robed in a flowing garment on whose edges crystals are seen to form.
For her crest she wears a swan with open wings. The symbolism of this swan reminds one of the swan in oriental philosophy which is the word AUM or AUMGN, which is the symbol of the entire process of creation. She bears a covered cup from which issues a tortoise. This is again the tortoise which in Hindu philosophy supports the elephant on whose back is the Universe. She is dancing upon a foaming sea in which disports himself a dolphin, the royal fish, which symbolises the power of Creation. The character of the Princess is infinitely gracious. All sweetness, all voluptuousness, gentleness, kindness and tenderness are in her character. She lives in the world of Romance, in the perpetual dream of rapture. On a superficial examination she might be thought selfish and indolent, but this is a quite false impression; silently and effortlessly she goes about her work.
3: Person #3

Jupiter
Change of fortune. (This generally means good fortune because the fact of consultation implies anxiety or discontent.)
4: Person #1's view of #2

Scorpio
The Prince of Cups represents the airy part of Water. On the one hand, elasticity, volatility, hydrostatic equilibrium; on the other hand, the catalytic faculty and the energy of steam. He is a warrior partly clad in armour, which seems, however, rather a growth than a covering. His helmet is surmounted by an eagle, and his chariot, which resembles a shell, is also drawn by an eagle. His wings are tenuous, almost of gas. This is a reference to his power of volatilisation understood in the spiritual sense. The whole symbolism of this card is exceedingly complicated, for Scorpio is the most mysterious of the Signs, and the manifested portion of it symbolised by the eagle is in reality the least important part of his nature.
The moral characteristics of the person pictured in this card are subtlety, secret violence, and craft. He is intensely secret, an artist in all his ways. On the surface he appears calm and imperturbable, but this is a mask of the most intense passion. He is on the surface susceptible to external influences, but he accepts them only to transmute them to the advantage of his secret designs. He is thus completely without conscience in the ordinary sense of the word, and is therefore usually distrusted by his neighbours. They feel they do not, and can never, understand him. Thus, he inspires unreasonable fear. He is in fact perfectly ruthless. He cares intensely for power, wisdom, and his own aims.
5: Person #2's view of #3

Gemini
Openness to inspiration, intuition, intelligence, second sight, childishness, frivolity, thoughtfulness divorced from practical consideration, indecision, self-contradiction, union in a shallow degree with others, instability, contradiction, triviality, the 'high-brow'.
6: Person #3's view of #1

Mercury in Cancer – Abundance
This card refers to Binah in the suit of Water. This is the card of Demeter or Persephone. The Cups are pomegranates: they are filled bountifully to overflowing a single lotus, arising from the dark calm sea characteristic of Binah. There is here the fulfilment of the Will of Love in abounding joy. It is the spiritual basis of fertility.
The card is referred to the influence of Mercury in Cancer; this carries further the above thesis. Mercury is the Will or Word of the All-Father; here its influence descends upon the most receptive of the Signs. At the same time, the combination of these forms of energy brings in the possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in one aspect, but Saturn in another; and Mercury, besides being the Word or Will of the All-One, is the guide of the souls of the Dead. The pomegranate was the fruit which Persephone ate in the realms of Pluto, thereby enabling him to hold her in the lower world, even after the most powerful influence had been brought to bear. The lesson seems to be that the good things of life, although enjoyed, should be distrusted.
7: Person #2's view of #1

Mars in Capricorn – Works
The influence of Binah in the sphere of Earth shows the material establishment of the idea of the Universe, the determination of its basic form. It is ruled by Mars in Capricornus; he is exalted in that Sign, and therefore at his best. His energy is constructive, like that of the builder or engineer. The card represents a pyramid viewed from above the apex.
This pyramid is situated in the great Sea of Binah in the Night of Time, but the sea is solidified; hence the colours of the background are mottled, a cold thin dark grey with a pattern of indigo and green. The sides of the pyramid have a strong reddish tint, showing the influence of Mars.
8: Person #3's view of #2

Moon in Sagittarius – Strength
This card is referred to Yesod, the Foundation; this brings the Energy back into balance. The Nine represents always the fullest development of the Force in its relation with the Forces above it. The Nine may be considered as the best that can be obtained from the type involved, regarded from a practical and material standpoint. This card is also governed by the Moon in Sagittarius; so here is a double influence of the Moon on the Tree of Life. Hence the aphorism 'Change is Stability'.
The Wands have now become arrows. There are eight of them in the background, and in front of them one master arrow. This has the Moon for its point, and the Sun for the driving Force above it; for the path of Sagittarius on the Tree of Life joins the Sun and Moon. The flames in the card are tenfold, implying that the Energy is directed downwards.
9: Person #1's view of #3

Sun in Gemini – Ruin
The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality.
The card is also ruled by the Sun in Gemini, but the mercurial airy quality of the Sign serves to disperse his rays; this card shows the disruption and disorder of harmonious and stable energy.
The hilts of the Swords occupy the positions of the Sephiroth, but the points One to Five and Seven to Nine touch and shatter the central Sword (six) which represents the Sun, the Heart, the child of Chokmah and Binah. The tenth Sword is also in splinters. It is the ruin of the Intellect, and even of all mental and moral qualities.
10: Overall relationship between persons #1 and #2

Leo
Courage, strength, energy and action, une grande passion; resort to magick, the use of magical power.
11: Overall relationship between persons #2 and #3

Venus in Scorpio – Debauch
This card refers to the Seven, Netzach, in the suit of Water. Here recurs the invariable weakness arising from lack of balance; also, the card is governed by Venus in Scorpio. Her dignity is not good in this Sign; one is reminded that Venus is the planet of Copper, 'external splendour and internal corruption'. The Lotuses have become poisonous, looking like tiger-lilies; and, instead of water, green slime issues from them and overflows, making the Sea a malarious morass. It is a wholesome reminder of the fatal ease with which a Sacrament may be profaned and prostituted.
12: Overall relationship between persons #1 and #3

Libra
Justice, or rather justesse, the act of adjustment, suspension of all action pending decision; in material matters, may refer to law suits or prosecutions. Socially, marriage or marriage agreements; politically, treaties.
13: Overall 3-way Relationship

Venus in Aquarius – Defeat
The intellect has been enfeebled by sentiment. The defeat is due to pacifism. Treachery also may be implied.
The hilts of the swords form the inverted pentagram, always a symbol of somewhat sinister tendency. Here matters are even worse; none of the hilts resembles any of the others, and their blades are crooked or broken. They give the impression of drooping; only the lowest of the swords points upwards, and this is the least effective of the weapons. The rose of the previous card has been altogether disintegrated.