The Love Triangle Spread

Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Love Triangle Tarot Reading with the Book of Thoth
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1: Person #1

The Moon
Pure, exalted and gracious influence enters the matter. Hence, change, alternation, increase and decrease, fluctuation. There is, however, a liability to be led away by enthusiasm; one may become 'moon-struck' unless careful balance is maintained.
2: Person #2

The Princess of Cups represents the earthy part of Water; in particular, the faculty of crystallisation. She represents the power of Water to give substance to idea, to support life, and to form the basis of chemical combination. She is represented as a dancing figure, robed in a flowing garment on whose edges crystals are seen to form.
For her crest she wears a swan with open wings. The symbolism of this swan reminds one of the swan in oriental philosophy which is the word AUM or AUMGN, which is the symbol of the entire process of creation. She bears a covered cup from which issues a tortoise. This is again the tortoise which in Hindu philosophy supports the elephant on whose back is the Universe. She is dancing upon a foaming sea in which disports himself a dolphin, the royal fish, which symbolises the power of Creation. The character of the Princess is infinitely gracious. All sweetness, all voluptuousness, gentleness, kindness and tenderness are in her character. She lives in the world of Romance, in the perpetual dream of rapture. On a superficial examination she might be thought selfish and indolent, but this is a quite false impression; silently and effortlessly she goes about her work.
3: Person #3

The Princess of Wands represents the earthy part of Fire; one might say, she is the fuel of Fire. This expression implies the irresistible chemical attraction of the combustible substance. The Princess is therefore shewn with the plumes of justice streaming like flames from her brow; and she is unclothed, shewing that chemical action can only take place when the element is perfectly free to combine with its partner.
This card may be said to represent the dance of the virgin priestess of the Lords of Fire, for she is in attendance upon the golden altar ornamented with rams' heads) symbolising the fires of Spring. The character of the Princess is extremely individual. She is brilliant and daring. She creates her own beauty by her essential vigour and energy. The force of her character imposes the impression of beauty upon the beholder. In anger or love she is sudden, violent, and implacable. She consumes all that comes into her sphere. She is ambitious and aspiring, full of enthusiasm which is often irrational. She never forgets an injury, and the only quality of patience to be found in her is the patience with which she lies in ambush to avenge.
4: Person #1's view of #2

Jupiter in Capricorn – Change
The number Two, Chokmah, here rules in the suit pertaining to Earth. It shows the type of Energy appropriate to Two, in its most fixed form. According to the doctrine that Change is the support of stability, the card is called Change.
The card represents two Pantacles, one above the other; they are the Chinese symbols of the Yang and Yin duplicated as in the Hsiang. One wheel is dextro- and the other laevo-rotatory. They thus represent the harmonious interplay of the Four Elements in constant movement. One may in fact consider the card as the picture of the complete manifested Universe, in respect of its dynamics.
5: Person #2's view of #3

Mercury in Cancer – Abundance
This card refers to Binah in the suit of Water. This is the card of Demeter or Persephone. The Cups are pomegranates: they are filled bountifully to overflowing a single lotus, arising from the dark calm sea characteristic of Binah. There is here the fulfilment of the Will of Love in abounding joy. It is the spiritual basis of fertility.
The card is referred to the influence of Mercury in Cancer; this carries further the above thesis. Mercury is the Will or Word of the All-Father; here its influence descends upon the most receptive of the Signs. At the same time, the combination of these forms of energy brings in the possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in one aspect, but Saturn in another; and Mercury, besides being the Word or Will of the All-One, is the guide of the souls of the Dead. The pomegranate was the fruit which Persephone ate in the realms of Pluto, thereby enabling him to hold her in the lower world, even after the most powerful influence had been brought to bear. The lesson seems to be that the good things of life, although enjoyed, should be distrusted.
6: Person #3's view of #1

Capricorn
Blind impulse, irresistibly strong and unscrupulous, ambition, temptation, obsession, secret plan about to be executed; hard work, obstinacy, rigidity, aching discontent, endurance.
7: Person #2's view of #1

Libra
The Queen of Swords represents the watery part of Air, the elasticity of that element, and its power of transmission. She is enthroned upon the clouds. Her helmet is crested by the head of a child, and from it stream sharp rays of light, illuminating her empire of celestial dew. In her right hand, she bears a sword; in her left hand, the newly severed head of a bearded man. She is the clear, conscious perception of Idea, the Liberator of the Mind.
The person symbolised by this card should be intensely perceptive, a keen observer, a subtle interpreter, an intense individualist, swift and accurate at recording ideas; in action confident, in spirit gracious and just. Her movements will be graceful, and her ability in dancing and balancing exceptional. If ill-dignified, these qualities will all be turned to unworthy purposes. She will be cruel, sly, deceitful and unreliable; in this way, very dangerous, on account of the superficial beauty and attractiveness which distinguish her.
8: Person #3's view of #2

Moon in Aquarius – Futility
Netzach, in the suit of Swords, does not represent such catastrophe as in the other suits, for Netzach, the Sephira of Venus, means victory. There is, therefore, a modifying influence; and this is accentuated by the celestial rule of the Moon in Aquarius.
The intellectual wreckage of the card is thus not so vehement as in the Five. There is vacillation, a wish to compromise, a certain toleration. But, in certain circumstances, the results may be more disastrous than ever. This naturally depends upon the success of the policy. This is always in doubt as long as there exist violent, uncompromising forces which take it as a natural prey. This card, like the Four, suggests the policy of appeasement.
The symbol shows six Swords with their hilts in crescent formation. Their points meet below the centre of the card, impinging upon a blade of a much larger up-thrusting sword, as if there were a contest between the many feeble and the one strong. He strives in vain.
9: Person #1's view of #3

Mars in Scorpio – Disappointment
This card is ruled by Geburah in the suit of Water. Geburah being fiery, there is a natural antipathy. Hence arises the idea of disturbance, just when least expected, in a time of ease. The attribution is also to Mars in Scorpio, which is his own house; and Mars is the manifestation on the lowest plane of Geburah, while Scorpio, in its worst aspect, suggests the putrefying power of Water.
Yet the powerful male influences do not show actual decay, only the beginning of destruction; hence, the anticipated pleasure is frustrated. The Lotuses have their petals torn by fiery winds; the sea is arid and stagnant, a dead sea, like a 'chott' in North Africa. No water flows into the cups. Moreover, these cups are arranged in the form of an inverted pentagram, symbolising the triumph of matter over spirit.
10: Overall relationship between persons #1 and #2

Mercury
Skill, wisdom, adroitness, elasticity, craft, cunning, deceit, theft. Sometimes occult wisdom or power, sometimes a quick impulse, a brain-wave. It may imply messages, business transactions, the interference of learning or intelligence with the matter in hand.
11: Overall relationship between persons #2 and #3

Sagittarius
The Knight of Wands represents the fiery part of Fire. He is a warrior in complete armour. On his helmet for a crest, he wears a black horse. In his hand he bears a flaming torch; a flame also in his mantle; and upon the flames does he ride. His steed is a black horse leaping.
The moral qualities appropriate to this figure are activity, generosity, fierceness, impetuosity, pride, impulsiveness, swiftness in unpredictable actions. If wrongly energised, he is evil-minded, cruel, bigoted and brutal. He is in either case ill-fitted to carry on his action; he has no means of modifying it according to circumstances. If he fails in his first effort, he has no recourse.
12: Overall relationship between persons #1 and #3

Gemini
The Knight of Swords represents the fiery part of Air; he is the wind, the storm. He represents the violent power of motion applied to an apparently manageable element. He is a warrior helmed, and for his crest he bears a revolving wing. Mounted upon a maddened steed, he drives down the Heavens, the Spirit of the Tempest. In one hand is a sword, in the other a poniard. He represents the idea of attack.
The moral qualities of a person thus indicated are activity and skill, subtlety and cleverness. He is fierce, delicate and courageous, but altogether the prey of his idea, which comes to him as an inspiration without reflection.
13: Overall 3-way Relationship

The Root of Earth
The Ace of Disks pictures the entry of that type of Energy which is called Earth. About this whirling Disk are its six Wings; the entire symbol is not only a glyph of Earth as understood in this New Aeon of Horus, but of the number 6, the number of the Sun. This card is thus an affirmation of the identity of Sol and Terra.