The Love Triangle Spread

The Love Triangle Spread

 

 

Difficulty: Complicated

Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.

The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.

The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.

The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.

 

 

 

 

 

 

 

 

Love Triangle Tarot Reading with the Book of Thoth

 


P#3   3to2 2+3
2to3   P#2
3to1 Overall 2to1
1+3 1to3 1to2 1+2
  P#1  
         

 

 

 

1: Person #1

2 of Disks

Jupiter in Capricorn – Change

The number Two, Chokmah, here rules in the suit pertaining to Earth. It shows the type of Energy appropriate to Two, in its most fixed form. According to the doctrine that Change is the support of stability, the card is called Change.

The card represents two Pantacles, one above the other; they are the Chinese symbols of the Yang and Yin duplicated as in the Hsiang. One wheel is dextro- and the other laevo-rotatory. They thus represent the harmonious interplay of the Four Elements in constant movement. One may in fact consider the card as the picture of the complete manifested Universe, in respect of its dynamics.

 

 

 

2: Person #2

5 of Disks

Mercury in Taurus – Worry

The Number Five, Geburah, in the suit of Earth, shows the disruption of the Elements, just as in the other suits. This is emphasised by the rule of Mercury in Taurus, types of energy which are opposed. It needs a very powerful Mercury to upset Taurus; so, the natural meaning is Intelligence applied to Labour.

The symbol represents five disks in the form of the inverted Pentagram, instability in the very foundations of Matter. The effect is that of an earthquake. They are, however, representative of the five Tattvas; these hold together, on a very low plane, an organism which would otherwise disrupt completely. The background is an angry, ugly red with yellow markings. The general effect is one of intense strain; yet the symbol implies long-continued inaction.

 

 

 

3: Person #3

10 of Wands

Saturn in Sagittarius – Oppression

The number Ten refers to Malkuth, which depends from the other nine Sephiroth, but is not directly in communication with them. It shows the Force detached from its spiritual sources. It is become a blind Force; so, the most violent form of that particular energy, without any modifying influences. The flames in the back ground of the card have run wild. It is Fire in its most destructive aspect.

The whole picture suggests Oppression and repression. It is a stupid and obstinate cruelty from which there is no escape. It is a Will which has not understood anything beyond its dull purpose, its 'lust of result', and will devour itself in the conflagrations it has evoked.

 

 

 

 

 

 

 

 

 

4: Person #1's view of #2

3 of Cups

Mercury in Cancer – Abundance

This card refers to Binah in the suit of Water. This is the card of Demeter or Persephone. The Cups are pomegranates: they are filled bountifully to overflowing a single lotus, arising from the dark calm sea characteristic of Binah. There is here the fulfilment of the Will of Love in abounding joy. It is the spiritual basis of fertility.

The card is referred to the influence of Mercury in Cancer; this carries further the above thesis. Mercury is the Will or Word of the All-Father; here its influence descends upon the most receptive of the Signs. At the same time, the combination of these forms of energy brings in the possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in one aspect, but Saturn in another; and Mercury, besides being the Word or Will of the All-One, is the guide of the souls of the Dead. The pomegranate was the fruit which Persephone ate in the realms of Pluto, thereby enabling him to hold her in the lower world, even after the most powerful influence had been brought to bear. The lesson seems to be that the good things of life, although enjoyed, should be distrusted.

 

 

 

5: Person #2's view of #3

The Lovers

Gemini

The Oracle of the Gods is the Child- Voice of Love in Thine own Soul; hear thou it. Heed not the Siren-Voice of Sense, or the Phantom-Voice of Reason: rest in Simplicity, and listen to the Silence.

Openness to inspiration, intuition, intelligence, second sight, childishness, frivolity, thoughtfulness divorced from practical consideration, indecision, self-contradiction, union in a shallow degree with others, instability, contradiction, triviality, the 'high-brow'.

 

 

 

6: Person #3's view of #1

6 of Cups

Sun in Scorpio – Pleasure

This card shows the influence of the number Six, Tiphareth, in the suit of Water. This influence is fortified by that of the Sun, who also represents the Six. The whole image is that of the influence of the Sun on Water.

The lotus stems are grouped in an elaborate dancing movement. From their blossoms water gushes into the Cups, but they are not yet full to overflowing, as they are in the corresponding card below; the Nine. Pleasure, in the title of this card, must be understood in its highest sense: it implies well-being, harmony of natural forces without effort or strain, ease, satisfaction. Foreign to the idea of the card is the gratification of natural or artificial desires. Yet it does represent emphatically the fulfilment of the sexual Will, as shown by the ruling Sephira, planet, element, and sign.

 

 

 

7: Person #2's view of #1

Prince of Wands

Leo

The moral qualities appropriate to this figure are swiftness and strength. But he is sometimes inclined to act on impulse; sometimes easily led by external influences; sometimes, especially in trifles, a prey to indecision. He is often violent, especially in the expression of an opinion, but he does not necessarily hold the opinion about which he is so emphatic. He states a vigorous proposition for the sake of stating it. He is in fact very slow to make up his mind thoroughly on any subject, but always sees both sides of every question. He is essentially just, but always feels that justice is not to be attained in the intellectual world. His character is intensely noble and generous.

He may be an extravagant boaster, while slyly laughing both at the object of his boast and at himself for making it. One of his greatest faults is pride; meanness and pettiness of any kind he holds in infinite scorn. His courage is fanatically strong, and his endurance indefatigable. He is always fighting against odds, and always wins in the long – the very long-run. This is principally due to his enormous capacity for work, which he exercises for its own sake, 'without lust of result'.

 

 

 

8: Person #3's view of #2

5 of Swords

Venus in Aquarius – Defeat

The intellect has been enfeebled by sentiment. The defeat is due to pacifism. Treachery also may be implied.

The hilts of the swords form the inverted pentagram, always a symbol of somewhat sinister tendency. Here matters are even worse; none of the hilts resembles any of the others, and their blades are crooked or broken. They give the impression of drooping; only the lowest of the swords points upwards, and this is the least effective of the weapons. The rose of the previous card has been altogether disintegrated.

 

 

 

9: Person #1's view of #3

2 of Wands

Mars in Aries – Dominion

This card, pertaining to Chokmah in the suit of Fire, represents the Will in its most exalted form. It is an ideal Will, independent of any given object.

'For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect'. AL. 1. 44.

The background of this card shows the power of the planet Mars in his own sign Aries, the first of the Signs. It there represents Energy initiating a Current of Force. The pictorial representation is two Dorjes crossed. The Dorje is the Tibetan symbol of the thunderbolt, the emblem of celestial Power, but more in its destructive than its creative form. More, that is, in its earlier rather than its later form. For destruction may be regarded as the first step in the creative process. The virgin ovum must be broken in order to fertilise it. Fear and repulsion are therefore the primary reaction to the assault. Then, with understanding of the complete plan, willing surrender rejoices to co-operate. Six flames issue from the centre. This indicates the influence of the Sun, who is exalted in Aries. This is the creative Will.

 

 

 

 

 

 

 

 

 

10: Overall relationship between persons #1 and #2

6 of Disks

Moon in Taurus – Success

The Number Six, Tiphareth, as before, represents the full harmonious establishment of the Energy of the Element. The Moon in Taurus rules the card; and this, while increasing the approach to perfection (for the Moon is exalted in Taurus and therefore in her highest form) marks that the condition is transient.

The disks are arranged in the form of the Hexagram, which is shown in skeleton. In the centre blushes and glows the light rose- madder of dawn, and without are three concentric circles, golden yellow, salmon-pink, and amber. These colours show Tiphareth fully realised on Earth; it reaffirms in form what was mathematically set forth in describing the Ace. The planets are arranged in accordance with their usual attribution; but they are only shown as disks irradiated by the Sun in their centre. This Sun is idolised as the Rose and Cross; the Rose has forty-nine petals, the interplay of the Seven with the Seven.

 

 

 

11: Overall relationship between persons #2 and #3

9 of Swords

Mars in Gemini – Cruelty

Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic. The celestial ruler is Mars in Gemini, crude rage of hunger operating without restraint; although its form is intellectual, it is the temper of the inquisitor.

The symbol shows nine swords of varying lengths, all striking downwards to a point. They are jagged and rusty. Poison and blood drip from their blades. There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom. Nor is an alien formula that of implacable revenge.

 

 

12: Overall relationship between persons #1 and #3

The Empress

Venus

This is the Harmony of the Universe, that Love unites the Will to create with the Understanding of that Creation: understand thou thine own Will. Love and let love. Rejoice in every shape of love, and get thy rapture and thy nourishment thereof.

Love, beauty, happiness, pleasure, success, completion, good fortune, graciousness, elegance, luxury, idleness, dissipation debauchery, friendship, gentleness, delight.

 

 

 

13: Overall 3-way Relationship

Princess of Swords

The Princess of Swords represents the earthy part of Air, the fixation of the volatile. She brings about the materialisation of Idea. She represents the influence of Heaven upon Earth. She represents to some extent the anger of the Gods, and she appears helmed, with serpent-haired Medusa for her crest. She stands in front of a barren altar as if to avenge its profanation, and she stabs downward with her sword. The heaven and the clouds, which are her home, seem angry.

The character of the Princess is stern and revengeful. Her logic is destructive. She is firm and aggressive, with great practical wisdom and subtlety in material things. She shews great cleverness and dexterity in the management of practical affairs, especially where they are of a controversial nature. She is very adroit in the settlement of controversies.

 

 


 

 

 

 

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