The Love Triangle Spread
Difficulty: Complicated
Casually referred to as the Love Triangle, this spread can be used to determine the dynamics of the relationship between three people, regardless of whether romance is involved. This spread is arranged in the form of a hexagram, consisting of several large and small triangles. This tarot spread may seem somewhat complicated, but it is not entirely that difficult.
The first step is to interpret the card for each individual position in the spread. Generally, one might ask about a relationship they are involved in, but this does not have to be the case. Ordinarily, the reader's representative card is #1, their main person of interest is #2, and the other person would be #3.
The second step fills in the downward triangle and involves further examination of the individuals through their views of the other people. Each person has two more cards showing the way they see and relate to the other members of the triangle. For example, Card #6 indicates how Person #3 relates to Person #1, while Card #9 stands for Person #1's attitude toward Person #3.
The next step completes the upward triangle and the hexagram, focusing on cards #10–13. It also completes the many smaller triangles and hints at the potential for each relationship. The final card, #13 can be considered the significator of the reading, which suggests the overall potential for this three-way relationship.
Love Triangle Tarot Reading with the Book of Thoth
| P#3 | 3to2 | 2+3 |
2to3 | P#2 | ||
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3to1 |  |
Overall |  |
2to1 |  |
| 1+3 |  |
1to3 |  |
1to2 |  |
1+2 |
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P#1 |  |
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1: Person #1
Water
Enforced sacrifice, punishment, loss, fatal or voluntary, suffering, defeat, failure, death.
2: Person #2
Mars in Scorpio – Disappointment
This card is ruled by Geburah in the suit of Water. Geburah being fiery, there is a natural antipathy. Hence arises the idea of disturbance, just when least expected, in a time of ease. The attribution is also to Mars in Scorpio, which is his own house; and Mars is the manifestation on the lowest plane of Geburah, while Scorpio, in its worst aspect, suggests the putrefying power of Water.
Yet the powerful male influences do not show actual decay, only the beginning of destruction; hence, the anticipated pleasure is frustrated. The Lotuses have their petals torn by fiery winds; the sea is arid and stagnant, a dead sea, like a 'chott' in North Africa. No water flows into the cups. Moreover, these cups are arranged in the form of an inverted pentagram, symbolising the triumph of matter over spirit.
3: Person #3
Moon in Libra – Peace
The Moon is change, but Nature is peaceful; moreover, Libra represents balance; between them, they regulate the energy of the Swords.
In the card appear two swords crossed; they are united by a blue rose with five petals. This rose represents the influence of the Mother, whose harmonising influence compounds the latent antagonism native to the suit. The Rose emits white rays, producing a geometrical pattern that emphasises the equilibrium of the symbol.
4: Person #1's view of #2
The Princess of Swords represents the earthy part of Air, the fixation of the volatile. She brings about the materialisation of Idea. She represents the influence of Heaven upon Earth. She represents to some extent the anger of the Gods, and she appears helmed, with serpent-haired Medusa for her crest. She stands in front of a barren altar as if to avenge its profanation, and she stabs downward with her sword. The heaven and the clouds, which are her home, seem angry.
The character of the Princess is stern and revengeful. Her logic is destructive. She is firm and aggressive, with great practical wisdom and subtlety in material things. She shews great cleverness and dexterity in the management of practical affairs, especially where they are of a controversial nature. She is very adroit in the settlement of controversies.
5: Person #2's view of #3
Moon in Aquarius – Futility
Netzach, in the suit of Swords, does not represent such catastrophe as in the other suits, for Netzach, the Sephira of Venus, means victory. There is, therefore, a modifying influence; and this is accentuated by the celestial rule of the Moon in Aquarius.
The intellectual wreckage of the card is thus not so vehement as in the Five. There is vacillation, a wish to compromise, a certain toleration. But, in certain circumstances, the results may be more disastrous than ever. This naturally depends upon the success of the policy. This is always in doubt as long as there exist violent, uncompromising forces which take it as a natural prey. This card, like the Four, suggests the policy of appeasement.
The symbol shows six Swords with their hilts in crescent formation. Their points meet below the centre of the card, impinging upon a blade of a much larger up-thrusting sword, as if there were a contest between the many feeble and the one strong. He strives in vain.
6: Person #3's view of #1
The Sun
Glory, gain, riches, triumph, pleasure, frankness, truth, shame-lessness, arrogance, vanity, manifestation, recovery from sickness, but sometimes sudden death.
7: Person #2's view of #1
Mars in Aries – Dominion
This card, pertaining to Chokmah in the suit of Fire, represents the Will in its most exalted form. It is an ideal Will, independent of any given object.
'For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect'. AL. 1. 44.
The background of this card shows the power of the planet Mars in his own sign Aries, the first of the Signs. It there represents Energy initiating a Current of Force. The pictorial representation is two Dorjes crossed. The Dorje is the Tibetan symbol of the thunderbolt, the emblem of celestial Power, but more in its destructive than its creative form. More, that is, in its earlier rather than its later form. For destruction may be regarded as the first step in the creative process. The virgin ovum must be broken in order to fertilise it. Fear and repulsion are therefore the primary reaction to the assault. Then, with understanding of the complete plan, willing surrender rejoices to co-operate. Six flames issue from the centre. This indicates the influence of the Sun, who is exalted in Aries. This is the creative Will.
8: Person #3's view of #2
Jupiter in Pisces – Happiness
The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water.
In this card is the pageant of the culmination and perfection of the original force of Water. In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.
9: Person #1's view of #3
Jupiter in Libra – Truce
Chesed refers to Jupiter who rules in Libra in this decanate. The sum of these symbols is therefore without opposition; hence the card proclaims the idea of authority in the intellectual world. It is the establishment of dogma, and law concerning it. It represents a refuge from mental chaos, chosen in an arbitrary manner. It argues for convention.
The hilts of the four Swords are at the corner of a St. Andrew's cross. Their shape suggests fixation and rigidity. Their points are sheathed – in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.
Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalised by foetid stench. But it has to be done!
10: Overall relationship between persons #1 and #2
Moon in Taurus – Success
The Number Six, Tiphareth, as before, represents the full harmonious establishment of the Energy of the Element. The Moon in Taurus rules the card; and this, while increasing the approach to perfection (for the Moon is exalted in Taurus and therefore in her highest form) marks that the condition is transient.
The disks are arranged in the form of the Hexagram, which is shown in skeleton. In the centre blushes and glows the light rose- madder of dawn, and without are three concentric circles, golden yellow, salmon-pink, and amber. These colours show Tiphareth fully realised on Earth; it reaffirms in form what was mathematically set forth in describing the Ace. The planets are arranged in accordance with their usual attribution; but they are only shown as disks irradiated by the Sun in their centre. This Sun is idolised as the Rose and Cross; the Rose has forty-nine petals, the interplay of the Seven with the Seven.
11: Overall relationship between persons #2 and #3
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.
12: Overall relationship between persons #1 and #3
Venus in Aquarius – Defeat
The intellect has been enfeebled by sentiment. The defeat is due to pacifism. Treachery also may be implied.
The hilts of the swords form the inverted pentagram, always a symbol of somewhat sinister tendency. Here matters are even worse; none of the hilts resembles any of the others, and their blades are crooked or broken. They give the impression of drooping; only the lowest of the swords points upwards, and this is the least effective of the weapons. The rose of the previous card has been altogether disintegrated.
13: Overall 3-way Relationship
Fire
Final decision in respect of the past, new current in respect of the future; always represents the taking of a definite step.
